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Songs and Other Verse

E >> Eugene Field >> Songs and Other Verse




Along the almond walks I tread
And greet the figures of the dead.
Mirandula walks here with him
Who lived with gods and seraphim;
Yet where Colonna's fair feet go
There passes Michael Angelo.

In Rome or Florence, still with her
Stands lone and grand her worshipper.
In Leonardo's brain there move
Christ and the children of His love;
And Raphael is touching now,
For the last time, an angel's brow.

Angelico is praying yet
Where lives no pang of man's regret,
And, mixing tears and prayers within
His palette's wealth, absolved from sin,
He dips his brush in hues divine;
San Marco's angel faces shine.

Within Lorenzo's garden green,
Where olives hide their boughs between,
The lovers, as they read betimes
Their love within Petrarca's lines,
Stand near the marbles found at Rome,
Lost shades that search in vain for home.

They pace the paths along the stream,
Dark Vallombrosa in their dream.
They sing, amidst the rain-drenched pines,
Of Tuscan gold that ruddier shines
Behind a saint's auroral face
That shows e'en yet the master's trace.

But lo, within the walls of gray,
E're yet there falls a glint of day,
And far without, from hill to vale,
Where honey-hearted nightingale
Or meads of pale anemones
Make sweet the coming morning breeze--

I hear a voice, of prophet tone,
A voice of doom, like his alone
That once in Gadara was heard;
The old walls trembled--lo, the bird
Has ceased to sing, and yonder waits
Lorenzo at his palace gates.

Some Romola in passing by
Turns toward the ruler, and his sigh
Wanders amidst the myrtle bowers
Or o'er the city's mantled towers,
For she is Florence! "Wilt thou hear
San Marco's prophet? Doom is near."

"Her liberties," he cries, "restore!
This much for Florence--yea, and more
To men and God!" The days are gone;
And in an hour of perfect dawn
I stand beneath the cypress trees
That shiver still with words like these.



A LULLABY

The stars are twinkling in the skies,
The earth is lost in slumbers deep;
So hush, my sweet, and close thine eyes,
And let me lull thy soul to sleep.
Compose thy dimpled hands to rest,
And like a little birdling lie
Secure within thy cozy nest
Upon my loving mother breast,
And slumber to my lullaby,
So hushaby--O hushaby.

The moon is singing to a star
The little song I sing to you;
The father sun has strayed afar,
As baby's sire is straying too.
And so the loving mother moon
Sings to the little star on high;
And as she sings, her gentle tune
Is borne to me, and thus I croon
For thee, my sweet, that lullaby
Of hushaby--O hushaby.

There is a little one asleep
That does not hear his mother's song;
But angel watchers--as I weep--
Surround his grave the night-tide long.
And as I sing, my sweet, to you,
Oh, would the lullaby I sing--
The same sweet lullaby he knew
While slumb'ring on this bosom too--
Were borne to him on angel's wing!
So hushaby--O hushaby.



"THE OLD HOMESTEAD"

JEST as atween the awk'ard lines a hand we love has penn'd
Appears a meanin' hid from other eyes,
So, in your simple, homespun art, old honest Yankee friend,
A power o' tearful, sweet seggestion lies.
We see it all--the pictur' that our mem'ries hold so dear--
The homestead in New England far away,
An' the vision is so nat'ral-like we almost seem to hear
The voices that were heshed but yesterday.

Ah, who'd ha' thought the music of that distant childhood time
Would sleep through all the changeful, bitter years
To waken into melodies like Chris'mas bells a-chime
An' to claim the ready tribute of our tears!
Why, the robins in the maples an' the blackbirds round the pond,
The crickets an' the locusts in the leaves,
The brook that chased the trout adown the hillside just beyond,
An' the swallers in their nests beneath the eaves--
They all come troopin' back with you, dear Uncle Josh, to-day,
An' they seem to sing with all the joyous zest
Of the days when we were Yankee boys an' Yankee girls at play,
With nary thought of "livin' way out West"!

God bless ye, Denman Thomps'n, for the good y' do our hearts,
With this music an' these memories o' youth--
God bless ye for the faculty that tops all human arts,
The good ol' Yankee faculty of Truth!



CHRISTMAS HYMN

Sing, Christmas bells!
Say to the earth this is the morn
Whereon our Saviour-King is born;
Sing to all men--the bond, the free,
The rich, the poor, the high, the low--
The little child that sports in glee--
The aged folk that tottering go--
Proclaim the morn
That Christ is born,
That saveth them and saveth me!

Sing, angel host!
Sing of the star that God has placed
Above the manger in the east;
Sing of the glories of the night,
The virgin's sweet humility,
The Babe with kingly robes bedight--
Sing to all men where'er they be
This Christmas morn,
For Christ is born,
That saveth them and saveth me!

Sing, sons of earth!
O ransomed seed of Adam, sing!
God liveth, and we have a King!
The curse is gone, the bond are free--
By Bethlehem's star that brightly beamed,
By all the heavenly signs that be,
We know that Israel is redeemed--
That on this morn
The Christ is born
That saveth you and saveth me!

Sing, O my heart!
Sing thou in rapture this dear morn
Whereon the blessed Prince is born!
And as thy songs shall be of love,
So let my deeds be charity--
By the dear Lord that reigns above,
By Him that died upon the tree,
By this fair morn
Whereon is born
The Christ that saveth all and me!



A PARAPHRASE OF HEINE

(LYRIC INTERMEZZO)

There fell a star from realms above--
A glittering, glorious star to see!
Methought it was the star of love,
So sweetly it illumined me.

And from the apple branches fell
Blossoms and leaves that time in June;
The wanton breezes wooed them well
With soft caress and amorous tune.

The white swan proudly sailed along
And vied her beauty with her note--
The river, jealous of her song,
Threw up its arms to clasp her throat.

But now--oh, now the dream is past--
The blossoms and the leaves are dead,
The swan's sweet song is hushed at last,
And not a star burns overhead.



THE CONVALESCENT GRIPSTER

The gods let slip that fiendish grip
Upon me last week Sunday--
No fiercer storm than racked my form
E'er swept the Bay of Fundy;
But now, good-by
To drugs, say I--
Good-by to gnawing sorrow;
I am up to-day,
And, whoop, hooray!
I'm going out to-morrow!

What aches and pain in bones and brain
I had I need not mention;
It seemed to me such pangs must be
Old Satan's own invention;
Albeit I
Was sure I'd die,
The doctor reassured me--
And, true enough,
With his vile stuff,
He ultimately cured me.

As there I lay in bed all day,
How fair outside looked to me!
A smile so mild old Nature smiled
It seemed to warm clean through me.
In chastened mood
The scene I viewed,
Inventing, sadly solus,
Fantastic rhymes
Between the times
I had to take a bolus.

Of quinine slugs and other drugs
I guess I took a million--
Such drugs as serve to set each nerve
To dancing a cotillon;
The doctors say
The only way
To rout the grip instanter
Is to pour in
All kinds of sin--
Similibus curantur!

'Twas hard; and yet I'll soon forget
Those ills and cures distressing;
One's future lies 'neath gorgeous skies
When one is convalescing!
So now, good-by
To drugs say I--
Good-by, thou phantom Sorrow!
I am up to-day,
And, whoop, hooray!
I'm going out to-morrow.



THE SLEEPING CHILD

My baby slept--how calm his rest,
As o'er his handsome face a smile
Like that of angel flitted, while
He lay so still upon my breast!

My baby slept--his baby head
Lay all unkiss'd 'neath pall and shroud:
I did not weep or cry aloud--
I only wished I, too, were dead!

My baby sleeps--a tiny mound,
All covered by the little flowers,
Woos me in all my waking hours,
Down in the quiet burying-ground.

And when I sleep I seem to be
With baby in another land--
I take his little baby hand--
He smiles and sings sweet songs to me.

Sleep on, O baby, while I keep
My vigils till this day be passed!
Then shall I, too, lie down at last,
And with my baby darling sleep.



THE TWO COFFINS

In yonder old cathedral
Two lovely coffins lie;
In one, the head of the state lies dead,
And a singer sleeps hard by.

Once had that King great power
And proudly ruled the land--
His crown e'en now is on his brow
And his sword is in his hand.

How sweetly sleeps the singer
With calmly folded eyes,
And on the breast of the bard at rest
The harp that he sounded lies.

The castle walls are falling
And war distracts the land,
But the sword leaps not from that mildewed spot
There in that dead king's hand.

But with every grace of nature
There seems to float along--
To cheer again the hearts of men
The singer's deathless song.



CLARE MARKET

In the market of Clare, so cheery the glare
Of the shops and the booths of the tradespeople there;
That I take a delight on a Saturday night
In walking that way and in viewing the sight.
For it's here that one sees all the objects that please--
New patterns in silk and old patterns in cheese,
For the girls pretty toys, rude alarums for boys,
And baubles galore while discretion enjoys--
But here I forbear, for I really despair
Of naming the wealth of the market of Clare.

A rich man comes down from the elegant town
And looks at it all with an ominous frown;
He seems to despise the grandiloquent cries
Of the vender proclaiming his puddings and pies;
And sniffing he goes through the lanes that disclose
Much cause for disgust to his sensitive nose;
And free of the crowd, he admits he is proud
That elsewhere in London this thing's not allowed;
He has seen nothing there but filth everywhere,
And he's glad to get out of the market of Clare.

But the child that has come from the gloom of the slum
Is charmed by the magic of dazzle and hum;
He feasts his big eyes on the cakes and the pies,
And they seem to grow green and protrude with surprise
At the goodies they vend and the toys without end--
And it's oh! if he had but a penny to spend!
But alas, he must gaze in a hopeless amaze
At treasures that glitter and torches that blaze--
What sense of despair in this world can compare
With that of the waif in the market of Clare?

So, on Saturday night, when my custom invites
A stroll in old London for curious sights,
I am likely to stray by a devious way
Where goodies are spread in a motley array,
The things which some eyes would appear to despise
Impress me as pathos in homely disguise,
And my battered waif-friend shall have pennies to spend,
So long as I've got 'em (or chums that will lend);
And the urchin shall share in my joy and declare
That there's beauty and good in the market of Clare.


A DREAM OF SUNSHINE

I'm weary of this weather and I hanker for the ways
Which people read of in the psalms and preachers paraphrase--
The grassy fields, the leafy woods, the banks where I can lie
And listen to the music of the brook that flutters by,
Or, by the pond out yonder, hear the redwing blackbird's call
Where he makes believe he has a nest, but hasn't one at all;
And by my side should be a friend--a trusty, genial friend,
With plenteous store of tales galore and natural leaf to lend;
Oh, how I pine and hanker for the gracious boon of spring--
For _then_ I'm going a-fishing with John Lyle King!

How like to pigmies will appear creation, as we float
Upon the bosom of the tide in a three-by-thirteen boat--
Forgotten all vexations and all vanities shall be,
As we cast our cares to windward and our anchor to the lee;
Anon the minnow-bucket will emit batrachian sobs,
And the devil's darning-needles shall come wooing of our bobs;
The sun shall kiss our noses and the breezes toss our hair
(This latter metaphoric--we've no fimbriae to spare!);
And I--transported by the bliss--shan't do a plaguey thing
But cut the bait and string the fish for John Lyle King!

Or, if I angle, it will be for bullheads and the like,
While he shall fish for gamey bass, for pickerel, and for pike;
I really do not care a rap for all the fish that swim--
But it's worth the wealth of Indies just to be along with him
In grassy fields, in leafy woods, beside the water-brooks,
And hear him tell of things he's seen or read of in his books--
To hear the sweet philosophy that trickles in and out
The while he is discoursing of the things we talk about;
A fountain-head refreshing--a clear, perennial spring
Is the genial conversation of John Lyle King!

Should varying winds or shifting tides redound to our despite--
In other words, should we return all bootless home at night,
I'd back him up in anything he had a mind to say
Of mighty bass he'd left behind or lost upon the way;
I'd nod assent to every yarn involving piscine game--
I'd cross my heart and make my affidavit to the same;
For what is friendship but a scheme to help a fellow out--
And what a paltry fish or two to make such bones about!
Nay, Sentiment a mantle of sweet charity would fling
O'er perjuries committed for John Lyle King.

At night, when as the camp-fire cast a ruddy, genial flame,
He'd bring his tuneful fiddle out and play upon the same;
No diabolic engine this--no instrument of sin--
No relative at all to that lewd toy, the violin!
But a godly hoosier fiddle--a quaint archaic thing
Full of all the proper melodies our grandmas used to sing;
With "Bonnie Doon," and "Nellie Gray," and "Sitting on the Stile,"
"The Heart Bowed Down," the "White Cockade," and "Charming Annie Lisle"
Our hearts would echo and the sombre empyrean ring
Beneath the wizard sorcery of John Lyle King.

The subsequent proceedings should interest me no more--
Wrapped in a woolen blanket should I calmly dream and snore;
The finny game that swims by day is my supreme delight--
And _not_ the scaly game that flies in darkness of the night!
Let those who are so minded pursue this latter game
But not repine if they should lose a boodle in the same;
For an example to you all one paragon should serve--
He towers a very monument to valor and to nerve;
No bob-tail flush, no nine-spot high, no measly pair can wring
A groan of desperation from John Lyle King!

A truce to badinage--I hope far distant is the day
When from these scenes terrestrial our friend shall pass away!
We like to hear his cheery voice uplifted in the land,
To see his calm, benignant face, to grasp his honest hand;
We like him for his learning, his sincerity, his truth,
His gallantry to woman and his kindliness to youth,
For the lenience of his nature, for the vigor of his mind,
For the fulness of that charity he bears to all mankind--
That's why we folks who know him best so reverently cling
(And that is why I pen these lines) to John Lyle King.

And now adieu, a fond adieu to thee, O muse of rhyme--
I do remand thee to the shades until that happier time
When fields are green, and posies gay are budding everywhere,
And there's a smell of clover bloom upon the vernal air;
When by the pond out yonder the redwing blackbird calls,
And distant hills are wed to Spring in veils of water-falls;
When from his aqueous element the famished pickerel springs
Two hundred feet into the air for butterflies and things--
_Then_ come again, O gracious muse, and teach me how to sing
The glory of a fishing cruise with John Lyle King!



UHLAND'S WHITE STAG.

Into the woods three huntsmen came,
Seeking the white stag for their game.

They laid them under a green fir-tree
And slept, and dreamed strange things to see.

(FIRST HUNTSMAN)

I dreamt I was beating the leafy brush,
When out popped the noble stag--hush, hush!

(SECOND HUNTSMAN)

As ahead of the clamorous pack he sprang,
I pelted him hard in the hide--piff, bang!

(THIRD HUNTSMAN)

And as that stag lay dead I blew
On my horn a lusty tir-ril-la-loo!

So speak the three as there they lay
When lo! the white stag sped that way,

Frisked his heels at those huntsmen three,
Then leagues o'er hill and dale was he--
Hush, hush! Piff, bang! Tir-ril-la-loo!



HOW SALTY WIN OUT

I used to think that luck wuz luck and nuthin' else but luck--
It made no diff'rence how or when or where or why it struck;
But sev'ral years ago I changt my mind, an' now proclaim
That luck's a kind uv science--same as any other game;
It happened out in Denver in the spring uv '80 when
Salty teched a humpback an' win out ten.

Salty wuz a printer in the good ol' Tribune days,
An', natural-like, he fell into the good ol' Tribune ways;
So, every Sunday evenin' he would sit into the game
Which in this crowd uv thoroughbreds I think I need not name;
An' there he'd sit until he rose, an', when he rose, he wore
Invariably less wealth about his person than before.

But once there came a powerful change; one sollum Sunday night
Occurred the tidal wave that put ol' Salty out o' sight.
He win on deuce an' ace an' Jack--he win on king an' queen--
Clif Bell allowed the like uv how he win wuz never seen.
An' how he done it wuz revealed to all us fellers when
He said he teched a humpback to win out ten.

There must be somethin' in it, for he never win afore,
An' when he told the crowd about the humpback, how they swore!
For every sport allows it is a losin' game to luck
Agin the science uv a man who's teched a hump f'r luck;
And there is no denyin' luck wuz nowhere in it when
Salty teched a humpback an' win out ten.

I've had queer dreams an' seen queer things, an' allus tried to do
The thing that luck apparently intended f'r me to;
Cats, funerils, cripples, beggers have I treated with regard,
An' charity subscriptions have hit me powerful hard;
But what's the use uv talkin'? I say, an' say again:
You've got to tech a humpback to win out ten!

So, though I used to think that luck wuz lucky, I'll allow
That luck, for luck, agin a hump aint nowhere in it now!
An' though I can't explain the whys an' wherefores, I maintain
There must be somethin' in it when the tip's so straight an' plain;
For I wuz there an' seen it, an' got full with Salty when
Salty teched a humpback an' win out ten!


THE END

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