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Tales of the Jazz Age

F >> F. Scott Fitzgerald >> Tales of the Jazz Age




"A waiter can drink up all the champagne those fellas leave in
bottles," suggested Rose with some relish, and then added as an
afterthought, "Oh, boy!"

By the time they reached Delmonico's it was half past ten, and they
were surprised to see a stream of taxis driving up to the door one
after the other and emitting marvelous, hatless young ladies, each one
attended by a stiff young gentleman in evening clothes.

"It's a party," said Rose with some awe. "Maybe we better not go in.
He'll be busy."

"No, he won't. He'll be o'right."

After some hesitation they entered what appeared to them to be the
least elaborate door and, indecision falling upon them immediately,
stationed themselves nervously in an inconspicuous corner of the small
dining-room in which they found themselves. They took off their caps
and held them in their hands. A cloud of gloom fell upon them and both
started when a door at one end of the room crashed open, emitting a
comet-like waiter who streaked across the floor and vanished through
another door on the other side.

There had been three of these lightning passages before the seekers
mustered the acumen to hail a waiter. He turned, looked at them
suspiciously, and then approached with soft, catlike steps, as if
prepared at any moment to turn and flee.

"Say," began Key, "say, do you know my brother? He's a waiter here."

"His name is Key," annotated Rose.

Yes, the waiter knew Key. He was up-stairs, he thought. There was a
big dance going on in the main ballroom. He'd tell him.

Ten minutes later George Key appeared and greeted his brother with the
utmost suspicion; his first and most natural thought being that he was
going to be asked for money.

George was tall and weak chinned, but there his resemblance to his
brother ceased. The waiter's eyes were not dull, they were alert and
twinkling, and his manner was suave, in-door, and faintly superior.
They exchanged formalities. George was married and had three children.
He seemed fairly interested, but not impressed by the news that Carrol
had been abroad in the army. This disappointed Carrol.

"George," said the younger brother, these amenities having been
disposed of, "we want to get some booze, and they won't sell us none.
Can you get us some?"

George considered.

"Sure. Maybe I can. It may be half an hour, though."

"All right," agreed Carrol, "we'll wait"

At this Rose started to sit down in a convenient chair, but was hailed
to his feet by the indignant George.

"Hey! Watch out, you! Can't sit down here! This room's all set for a
twelve o'clock banquet."

"I ain't goin' to hurt it," said Rose resentfully. "I been through the
delouser."

"Never mind," said George sternly, "if the head waiter seen me here
talkin' he'd romp all over me."

"Oh."

The mention of the head waiter was full explanation to the other two;
they fingered their overseas caps nervously and waited for a
suggestion.

"I tell you," said George, after a pause, "I got a place you can wait;
you just come here with me."

They followed him out the far door, through a deserted pantry and up a
pair of dark winding stairs, emerging finally into a small room
chiefly furnished by piles of pails and stacks of scrubbing brushes,
and illuminated by a single dim electric light. There he left them,
after soliciting two dollars and agreeing to return in half an hour
with a quart of whiskey.

"George is makin' money, I bet," said Key gloomily as he seated
himself on an inverted pail. "I bet he's making fifty dollars a week."

Rose nodded his head and spat.

"I bet he is, too."

"What'd he say the dance was of?"

"A lot of college fellas. Yale College."

They, both nodded solemnly at each other.

"Wonder where that crowda sojers is now?"

"I don't know. I know that's too damn long to walk for me."

"Me too. You don't catch me walkin' that far."

Ten minutes later restlessness seized them.

"I'm goin' to see what's out here," said Rose, stepping cautiously
toward the other door.

It was a swinging door of green baize and he pushed it open a cautious
inch.

"See anything?"

For answer Rose drew in his breath sharply.

"Doggone! Here's some liquor I'll say!"

"Liquor?"

Key joined Rose at the door, and looked eagerly.

"I'll tell the world that's liquor," he said, after a moment of
concentrated gazing.

It was a room about twice as large as the one they were in--and in it
was prepared a radiant feast of spirits. There were long walls of
alternating bottles set along two white covered tables; whiskey, gin,
brandy, French and Italian vermouths, and orange juice, not to mention
an array of syphons and two great empty punch bowls. The room was as
yet uninhabited.

"It's for this dance they're just starting," whispered Key; "hear the
violins playin'? Say, boy, I wouldn't mind havin' a dance."

They closed the door softly and exchanged a glance of mutual
comprehension. There was no need of feeling each other out.

"I'd like to get my hands on a coupla those bottles," said Rose
emphatically.

"Me too."

"Do you suppose we'd get seen?"

Key considered.

"Maybe we better wait till they start drinkin' 'em. They got 'em all
laid out now, and they know how many of them there are."

They debated this point for several minutes. Rose was all for getting
his hands on a bottle now and tucking it under his coat before anyone
came into the room. Key, however, advocated caution. He was afraid he
might get his brother in trouble. If they waited till some of the
bottles were opened it'd be all right to take one, and everybody'd
think it was one of the college fellas.

While they were still engaged in argument George Key hurried through
the room and, barely grunting at them, disappeared by way of the green
baize door. A minute later they heard several corks pop, and then the
sound of cracking ice and splashing liquid. George was mixing the
punch.

The soldiers exchanged delighted grins.

"Oh, boy!" whispered Rose.

George reappeared.

"Just keep low, boys," he said quickly. "Ill have your stuff for you
in five minutes."

He disappeared through the door by which he had come.

As soon as his footsteps receded down the stairs, Rose, after a
cautious look, darted into the room of delights and reappeared with a
bottle in his hand.

"Here's what I say," he said, as they sat radiantly digesting their
first drink. "We'll wait till he comes up, and we'll ask him if we
can't just stay here and drink what he brings us--see. We'll tell him
we haven't got any place to drink it--see. Then we can sneak in there
whenever there ain't nobody in that there room and tuck a bottle under
our coats. We'll have enough to last us a coupla days--see?"

"Sure," agreed Rose enthusiastically. "Oh, boy! And if we want to we
can sell it to sojers any time we want to."

They were silent for a moment thinking rosily of this idea. Then Key
reached up and unhooked the collar of his O. D. coat.

"It's hot in here, ain't it?"

Rose agreed earnestly.

"Hot as hell."


IV

She was still quite angry when she came out of the dressing-room and
crossed the intervening parlor of politeness that opened onto the
hall--angry not so much at the actual happening which was, after all,
the merest commonplace of her social existence, but because it had
occurred on this particular night. She had no quarrel with herself.
She had acted with that correct mixture of dignity and reticent pity
which she always employed. She had succinctly and deftly snubbed him.

It had happened when their taxi was leaving the Biltmore--hadn't gone
half a block. He had lifted his right arm awkwardly--she was on his
right side--and attempted to settle it snugly around the crimson
fur-trimmed opera cloak she wore. This in itself had been a mistake.
It was inevitably more graceful for a young man attempting to embrace
a young lady of whose acquiescence he was not certain, to first put
his far arm around her. It avoided that awkward movement of raising
the near arm.

His second _faux pas_ was unconscious. She had spent the
afternoon at the hairdresser's; the idea of any calamity overtaking
her hair was extremely repugnant--yet as Peter made his unfortunate
attempt the point of his elbow had just faintly brushed it. That was
his second _faux pas_. Two were quite enough.

He had begun to murmur. At the first murmur she had decided that he
was nothing but a college boy--Edith was twenty-two, and anyhow, this
dance, first of its kind since the war, was reminding her, with the
accelerating rhythm of its associations, of something else--of another
dance and another man, a man for whom her feelings had been little
more than a sad-eyed, adolescent mooniness. Edith Bradin was falling
in love with her recollection of Gordon Sterrett.

So she came out of the dressing-room at Delmonico's and stood for a
second in the doorway looking over the shoulders of a black dress in
front of her at the groups of Yale men who flitted like dignified
black moths around the head of the stairs. From the room she had left
drifted out the heavy fragrance left by the passage to and fro of many
scented young beauties--rich perfumes and the fragile memory-laden
dust of fragrant powders. This odor drifting out acquired the tang of
cigarette smoke in the hall, and then settled sensuously down the
stairs and permeated the ballroom where the Gamma Psi dance was to be
held. It was an odor she knew well, exciting, stimulating, restlessly
sweet--the odor of a fashionable dance.

She thought of her own appearance. Her bare arms and shoulders were
powdered to a creamy white. She knew they looked very soft and would
gleam like milk against the black backs that were to silhouette them
to-night. The hairdressing had been a success; her reddish mass of
hair was piled and crushed and creased to an arrogant marvel of mobile
curves. Her lips were finely made of deep carmine; the irises of her
eyes were delicate, breakable blue, like china eyes. She was a
complete, infinitely delicate, quite perfect thing of beauty, flowing
in an even line from a complex coiffure to two small slim feet.

She thought of what she would say to-night at this revel, faintly
prestiged already by the sounds of high and low laughter and slippered
footsteps, and movements of couples up and down the stairs. She would
talk the language she had talked for many years--her line--made up of
the current expressions, bits of journalese and college slang strung
together into an intrinsic whole, careless, faintly provocative,
delicately sentimental. She stalled faintly as she heard a girl
sitting on the stairs near her say: "You don't know the half of it,
dearie!"

And as she smiled her anger melted for a moment, and closing her eyes
she drew in a deep breath of pleasure. She dropped her arms to her
side until they were faintly touching the sleek sheath that covered
and suggested her figure. She had never felt her own softness so much
nor so enjoyed the whiteness of her own arms.

"I smell sweet," she said to herself simply, and then came another
thought "I'm made for love."

She liked the sound of this and thought it again; then inevitable
succession came her new-born riot of dreams about Gordon. The twist of
her imagination which, two months before, had disclosed to her her
unguessed desire to see him again, seemed now to have been leading up
to this dance, this hour.

For all her sleek beauty, Edith was a grave, slow-thinking girl. There
was a streak in her of that same desire to ponder, of that adolescent
idealism that had turned her brother socialist and pacifist. Henry
Bradin had left Cornell, where he had been an instructor in economies,
and had come to New York to pour the latest cures for incurable evils
into the columns of a radical weekly newspaper.

Edith, less fatuously, would have been content to cure Gordon
Sterrett. There was a quality of weakness in Gordon that she wanted to
take care of; there was a helplessness in him that she wanted to
protect. And she wanted someone she had known a long while, someone
who had loved her a long while. She was a little tired; she wanted to
get married. Out of a pile of letters, half a dozen pictures and as
many memories, and this weariness, she had decided that next time she
saw Gordon their relations were going to be changed. She would say
something that would change them. There was this evening. This was her
evening. All evenings were her evenings.

Then her thoughts were interrupted by a solemn undergraduate with a
hurt look and an air of strained formality who presented himself
before her and bowed unusually low. It was the man she had come with,
Peter Himmel. He was tall and humorous, with horned-rimmed glasses and
an air of attractive whimsicality. She suddenly rather disliked
him--probably because he had not succeeded in kissing her.

"Well," she began, "are you still furious at me?"

"Not at all."

She stepped forward and took his arm.

"I'm sorry," she said softly. "I don't know why I snapped out that
way. I'm in a bum humor to-night for some strange reason. I'm sorry."

"S'all right," he mumbled, "don't mention it."

He felt disagreeably embarrassed. Was she rubbing in the fact of his
late failure?

"It was a mistake," she continued, on the same consciously gentle key.
"We'll both forget it." For this he hated her.

A few minutes later they drifted out on the floor while the dozen
swaying, sighing members of the specially hired jazz orchestra
informed the crowded ballroom that "if a saxophone and me are left
alone why then two is com-pan-ee!"

A man with a mustache cut in.

"Hello," he began reprovingly. "You don't remember me."

"I can't just think of your name," she said lightly--"and I know you
so well."

"I met you up at--" His voice trailed disconsolately off as a man with
very fair hair cut in. Edith murmured a conventional "Thanks,
loads--cut in later," to the _inconnu_.

The very fair man insisted on shaking hands enthusiastically. She
placed him as one of the numerous Jims of her acquaintance--last name
a mystery. She remembered even that he had a peculiar rhythm in
dancing and found as they started that she was right.

"Going to be here long?" he breathed confidentially.

She leaned back and looked up at him.

"Couple of weeks."

"Where are you?"

"Biltmore. Call me up some day."

"I mean it," he assured her. "I will. We'll go to tea."

"So do I--Do."

A dark man cut in with intense formality.

"You don't remember me, do you?" he said gravely.

"I should say I do. Your name's Harlan."

"No-ope. Barlow."

"Well, I knew there were two syllables anyway. You're the boy that
played the ukulele so well up at Howard Marshall's house party.

"I played--but not--"

A man with prominent teeth cut in. Edith inhaled a slight cloud of
whiskey. She liked men to have had something to drink; they were so
much more cheerful, and appreciative and complimentary--much easier to
talk to.

"My name's Dean, Philip Dean," he said cheerfully. "You don't remember
me, I know, but you used to come up to New Haven with a fellow I
roomed with senior year, Gordon Sterrett."

Edith looked up quickly.

"Yes, I went up with him twice--to the Pump and Slipper and the Junior
prom."

"You've seen him, of course," said Dean carelessly. "He's here
to-night. I saw him just a minute ago."

Edith started. Yet she had felt quite sure he would be here.

"Why, no, I haven't--"

A fat man with red hair cut in.

"Hello, Edith," he began.

"Why--hello there--"

She slipped, stumbled lightly.

"I'm sorry, dear," she murmured mechanically.

She had seen Gordon--Gordon very white and listless, leaning against
the side of a doorway, smoking, and looking into the ballroom. Edith
could see that his face was thin and wan--that the hand he raised to
his lips with a cigarette, was trembling. They were dancing quite
close to him now.

"--They invite so darn many extra fellas that you--" the short man was
saying.

"Hello, Gordon," called Edith over her partner's shoulder. Her heart
was pounding wildly.

His large dark eyes were fixed on her. He took a step in her
direction. Her partner turned her away--she heard his voice
bleating----

"--but half the stags get lit and leave before long, so--" Then a low
tone at her side.

"May I, please?"

She was dancing suddenly with Gordon; one of his arms was around her;
she felt it tighten spasmodically; felt his hand on her back with the
fingers spread. Her hand holding the little lace handkerchief was
crushed in his.

"Why Gordon," she began breathlessly.

"Hello, Edith."

She slipped again--was tossed forward by her recovery until her face
touched the black cloth of his dinner coat. She loved him--she knew
she loved him--then for a minute there was silence while a strange
feeling of uneasiness crept over her. Something was wrong.

Of a sudden her heart wrenched, and turned over as she realized what
it was. He was pitiful and wretched, a little drunk, and miserably
tired.

"Oh--" she cried involuntarily.

His eyes looked down at her. She saw suddenly that they were
blood-streaked and rolling uncontrollably.

"Gordon," she murmured, "we'll sit down; I want to sit down."

They were nearly in mid-floor, but she had seen two men start toward
her from opposite sides of the room, so she halted, seized Gordon's
limp hand and led him bumping through the crowd, her mouth tight shut,
her face a little pale under her rouge, her eyes trembling with tears.

She found a place high up on the soft-carpeted stairs, and he sat down
heavily beside her.

"Well," he began, staring at her unsteadily, "I certainly am glad to
see you, Edith."

She looked at him without answering. The effect of this on her was
immeasurable. For years she had seen men in various stages of
intoxication, from uncles all the way down to chauffeurs, and her
feelings had varied from amusement to disgust, but here for the first
time she was seized with a new feeling--an unutterable horror.

"Gordon," she said accusingly and almost crying, "you look like the
devil."

He nodded, "I've had trouble, Edith."

"Trouble?"

"All sorts of trouble. Don't you say anything to the family, but I'm
all gone to pieces. I'm a mess, Edith."

His lower lip was sagging. He seemed scarcely to see her.

"Can't you--can't you," she hesitated, "can't you tell me about it,
Gordon? You know I'm always interested in you."

She bit her lip--she had intended to say something stronger, but found
at the end that she couldn't bring it out.

Gordon shook his head dully. "I can't tell you. You're a good woman. I
can't tell a good woman the story."

"Rot," she said, defiantly. "I think it's a perfect insult to call any
one a good woman in that way. It's a slam. You've been drinking,
Gordon."

"Thanks." He inclined his head gravely. "Thanks for the information."

"Why do you drink?"

"Because I'm so damn miserable."

"Do you think drinking's going to make it any better?"

"What you doing--trying to reform me?"

"No; I'm trying to help you, Gordon. Can't you tell me about it?"

"I'm in an awful mess. Best thing you can do is to pretend not to know
me."

"Why, Gordon?"

"I'm sorry I cut in on you--its unfair to you. You're pure woman--and
all that sort of thing. Here, I'll get some one else to dance with
you."

He rose clumsily to his feet, but she reached up and pulled him down
beside her on the stairs.

"Here, Gordon. You're ridiculous. You're hurting me. You're acting
like a--like a crazy man--"

"I admit it. I'm a little crazy. Something's wrong with me, Edith.
There's something left me. It doesn't matter."

"It does, tell me."

"Just that. I was always queer--little bit different from other boys.
All right in college, but now it's all wrong. Things have been
snapping inside me for four months like little hooks on a dress, and
it's about to come off when a few more hooks go. I'm very gradually
going loony."

He turned his eyes full on her and began to laugh, and she shrank away
from him.

"What _is_ the matter?"

"Just me," he repeated. "I'm going loony. This whole place is like a
dream to me--this Delmonico's--"

As he talked she saw he had changed utterly. He wasn't at all light
and gay and careless--a great lethargy and discouragement had come
over him. Revulsion seized her, followed by a faint, surprising
boredom. His voice seemed to come out of a great void.

"Edith," he said, "I used to think I was clever, talented, an artist.
Now I know I'm nothing. Can't draw, Edith. Don't know why I'm telling
you this."

She nodded absently.

"I can't draw, I can't do anything. I'm poor as a church mouse." He
laughed, bitterly and rather too loud. "I've become a damn beggar, a
leech on my friends. I'm a failure. I'm poor as hell."

Her distaste was growing. She barely nodded this time, waiting for her
first possible cue to rise.

Suddenly Gordon's eyes filled with tears.

"Edith," he said, turning to her with what was evidently a strong
effort at self-control, "I can't tell you what it means to me to know
there's one person left who's interested in me."

He reached out and patted her hand, and involuntarily she drew it
away.

"It's mighty fine of you," he repeated.

"Well," she said slowly, looking him in the eye, "any one's always
glad to see an old friend--but I'm sorry to see you like this,
Gordon."

There was a pause while they looked at each other, and the momentary
eagerness in his eyes wavered. She rose and stood looking at him, her
face quite expressionless.

"Shall we dance?" she suggested, coolly.

--Love is fragile--she was thinking--but perhaps the pieces are saved,
the things that hovered on lips, that might have been said. The new
love words, the tendernesses learned, are treasured up for the next
lover.


V

Peter Himmel, escort to the lovely Edith, was unaccustomed to being
snubbed; having been snubbed, he was hurt and embarrassed, and ashamed
of himself. For a matter of two months he had been on special delivery
terms with Edith Bradin, and knowing that the one excuse and
explanation of the special delivery letter is its value in sentimental
correspondence, he had believed himself quite sure of his ground. He
searched in vain for any reason why she should have taken this
attitude in the matter of a simple kiss.

Therefore when he was cut in on by the man with the mustache he went
out into the hall and, making up a sentence, said it over to himself
several times. Considerably deleted, this was it:

"Well, if any girl ever led a man on and then jolted him, she did--and
she has no kick coming if I go out and get beautifully boiled."

So he walked through the supper room into a small room adjoining it,
which he had located earlier in the evening. It was a room in which
there were several large bowls of punch flanked by many bottles. He
took a seat beside the table which held the bottles.

At the second highball, boredom, disgust, the monotony of time, the
turbidity of events, sank into a vague background before which
glittering cobwebs formed. Things became reconciled to themselves,
things lay quietly on their shelves; the troubles of the day arranged
themselves in trim formation and at his curt wish of dismissal,
marched off and disappeared. And with the departure of worry came
brilliant, permeating symbolism. Edith became a flighty, negligible
girl, not to be worried over; rather to be laughed at. She fitted like
a figure of his own dream into the surface world forming about him. He
himself became in a measure symbolic, a type of the continent
bacchanal, the brilliant dreamer at play.

Then the symbolic mood faded and as he sipped his third highball his
imagination yielded to the warm glow and he lapsed into a state
similar to floating on his back in pleasant water. It was at this
point that he noticed that a green baize door near him was open about
two inches, and that through the aperture a pair of eyes were watching
him intently.

"Hm," murmured Peter calmly.

The green door closed--and then opened again--a bare half inch this
time.

"Peek-a-boo," murmured Peter.

The door remained stationary and then he became aware of a series of
tense intermittent whispers.

"One guy."

"What's he doin'?"

"He's sittin' lookin'."

"He better beat it off. We gotta get another li'l' bottle."

Peter listened while the words filtered into his consciousness.

"Now this," he thought, "is most remarkable."

He was excited. He was jubilant. He felt that he had stumbled upon a
mystery. Affecting an elaborate carelessness he arose and waited
around the table--then, turning quickly, pulled open the green door,
precipitating Private Rose into the room.

Peter bowed.

"How do you do?" he said.

Private Rose set one foot slightly in front of the other, poised for
fight, flight, or compromise.

"How do you do?" repeated Peter politely.

"I'm o'right."

"Can I offer you a drink?"

Private Rose looked at him searchingly, suspecting possible sarcasm.

"O'right," he said finally.

Peter indicated a chair.

"Sit down."

"I got a friend," said Rose, "I got a friend in there." He pointed to
the green door.

"By all means let's have him in."

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