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The Idol of Paris

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"Could we not keep it as a secret?"

"I am afraid, darling, that that would not be right. We are sure of
Maurice's discretion, and we need advice as well as help."

Esperance looked at her companion.

"How could the Duke have known? Oh! I suppose the little Breton girl
who waits on us was the culprit. We must get rid of her. We have only
three days to spend here, and then, too, I am sure that the Duke will
keep his word. I was struck by his pallor, and his eyes when he looked
at you were full of tears, but I believe he was sincere; there is less
to fear from staying than fleeing perhaps, since we know that. Let us
go back."

She helped her dear little friend to get up and they returned to the
house as they had come. Mademoiselle Frahender was just coming out to
look for them.

"Here we are, little lady, don't scold," said Esperance playfully.

The little old lady shook her head chidingly.

"You do not look well, my child. You are up too early. Six o'clock,
that pert little Breton told me, when I found her fumbling in our
trunks. When I told her that I was going to complain of her she said,
'Oh! don't do that, Madame, my godfather, the Duke de Morlay, would
never forgive me!"

The girls looked at each other.

"I promise to say nothing, but you must watch her carefully."

They were just going in when Maurice joined them, out of breath.

"Hello! cousin. Where do you spring from?"

"I have been looking for you for half an hour to give you the
programme, edited by Jean and enlivened by your humble servant. Here
you are, and here you are, naughty lady, who gives no word of warning
to her lover of early morning escapades."

"Oh! Maurice, it was I who led Genevieve astray, and I am doubly
repentant. She will tell you why."

Maurice grew serious.

"What means that haggard face, cousin, and the collar of your dress is
all wet? Come, come, Genevieve herself seems ill at ease. I would like
to know what you two have been up to."

"Well! take her into that grove, you will find a bench there, and she
will tell you all about it. I am going to rest," replied Esperance.

Genevieve and Maurice sat down in the grove. After she had told him
what had happened, she added, "What seems to me to make it really
serious is that I believe the Duke to be in earnest."

"Love and flirtation often look alike," said the young man shrugging
his shoulders.

"I don't think so," said the girl with conviction, and continued
sadly, "Esperance is fighting against this infatuation with all her
strength, but I am very uneasy. And if the Duke should love her enough
to offer to marry her!"

"You think that likely?"

"What can resist love? Tell me that."

And her beautiful eyes, swimming with tears, looked anxiously,
trustingly into the young man's face.

"I tell you what I truly believe. And that is, that Esperance loves
the Duke."

The young painter meditated for a long time.

"Come on, we must go back," he said finally. "We must get ready for
the rehearsal." He left the girl with exhortations to reason with his
cousin.

"What the deuce is our will for if we can't exercise it?"

"Maurice, I am brave and determined, you know that. My sister and I
have struggled unaided, she since she was thirteen! I since I was
eight. I thought that she was enough to fill all my life, and now...."

"And now," he asked tenderly, taking her hand.

"All my life is yours! I should not tell you this, but you can judge
by my doing so the impotence of will against...."

She drew away her hand hastily, ran to the staircase and disappeared.
He heard the door open and his cousin's voice saying, "How pale you
are, Genevieve!"

"What are you dreaming about, Cousin Maurice?" said Albert, putting
his hand gently on his shoulder.

That hand felt to Maurice as heavy as remorse.

"Let us go and see what is going on," said the young painter. "There
is Jean coming to look for us now."




CHAPTER XXIV


In the great hall of the Château a charming theatre had been built.
Everything was ready for the rehearsal. An enormous revolving platform
held three wooden squares which would serve as frames for the tableaux
vivants. The mechanism had been arranged by an eminent Parisian
engineer. A curtain decorated by Maurice served as background. There
were eleven little dressing rooms, seven for the women, four for the
men.

Maurice saw the Duke seated straddlewise on a chair, and smoking a
cigarette. The three men went up to him before he was aware of their
presence. At sound of Albert's voice he sprang to his feet, almost as
if expecting an attack. His nostrils were dilated, his face set. In an
instant he resumed his usual manner, and shook hands with the young
men.

"You were asleep?" suggested the Count.

"No, I was dreaming, and I think you must have figured in my dream."

"Let us hear of the dream."

"Oh! no, dreams ought not to be told!"

And he pretended to busy himself with some orders.

The guests who were to take part in the tableaux vivants began slowly
to stream in. Maurice took Jean aside and told him what had happened
that morning.

"You must keep watch too. I am not going to leave the Duke."

When Esperance and Genevieve came in, Maurice caught the Duke's
expression in a mirror. He saw him move away and join a distant group
where he lingered chatting. Jean thought Esperance looked uneasy.
Albert came up to her and kissed her hand. She smiled sadly. She was
looking for some one. The Duke had disappeared before she had seen
him.

After a long discussion it was decided to have a dress rehearsal.
Esperance was not in the first picture so she would have had ample
time to have dressed at leisure, but nevertheless she put her things
on quite feverishly. Her costume consisted only, it is true, of a
light peplum over a flesh-coloured foundation. Genevieve helped her to
dress. In each dressing-room was one of Maurice's designs illustrating
just how the dress, hair, etc., were to be arranged. For Andromeda,
Esperance was to have bare feet, and wear on her hair a garland of
flowers.

The three first tableaux revolved before the Duke and his staff,
composed of Albert, Jean, Maurice and some of the distinguished
guests; and the order was given to summon the artists for the second
set, which was composed of the next three pictures.

The first tableaux of the second group represented Circe with the
companions of Ulysses changed into swine. The marvellous Lady Rupper
was to represent Circe. She entered dramatically, half nude, her tunic
open to her waist, caught at intervals by diamond clasps, her peplum
held in place by a garland of bay leaves. She was very beautiful. Her
husband, a wealthy American, laughed at sight of her, a coarse laugh,
the laugh of all Germans, even when Americanized.

The second picture represented Judith and Holofernes. The beautiful
brunette, the Marquise de Chaussey, in a daring costume designed by
Maurice, held in her hand a magnificent scimitar, the property of
Morlay-La-Branche. She was to pose, raising the curtain, as in the
picture of Regnault.

The third picture was the deliverance of Andromeda. When Esperance
appeared, so slender, so fragile, her long hair waving in floods of
pale gold almost to the floor, a murmur of almost sacred admiration
rang through the hall. Lady Rupper approached her, and taking the
child's hair in her hands, cried out, "Oh! my dear, it is more
beautiful than the American gold."

The Duke came up to Esperance.

"I should have preferred enchaining you to delivering you,
Mademoiselle."

"I can speak now in the person of Andromeda and thank you for that
deliverance ... which you promised," she answered with a little smile.

She had spoken so low that only the Duke could hear the ending which
he alone understood. He had promised to deliver her from his love, but
at that instant he revolted against the thought and the admonition.

"Why not?" he muttered to himself. "She must be happier with me than
with that insufferable bore! I will keep my word until she herself
absolves me from it."

They had to arrange her pose against the rock. Maurice and Albert
helped her, while the Duke watched from a distance, and criticized the
effect. All at once he cried out, "That is perfect. Don't move. Now
the mechanician must mark the place to set the fetters for the hands
and feet."

Maurice stepped back by the Duke to judge of the effect.

"It is excellent," he said, looking only, thinking only as an artist.
"That child has a beauty of proportion, a dazzling grace, and the most
lovely face imaginable."

As the Duke did not speak, Maurice looked at him. He was standing
upright, leaning against a table, pale as death.

"Are you ill?" asked Maurice.

"No ... no...."

He passed his hand across his forehead and said in an unnatural voice,
"Will you see to it please, that they do not leave her suspended that
way too long? Tell Albert to raise her head, it seems to me that she
is going to faint."

He started forward.

"I will go," said Maurice, stopping him.

When the machinist finished screwing the rings in the rock Maurice
asked whether it would not be better to repeat this tableaux at once.
The Duke approved. The terrifying dragon was properly arranged on the
ground--the wonderful dragon which was the design of a renowned
sculptor and perfectly executed by Gerard in papier maché. Perseus
(the Duke) with one foot on the head of the vanquished monster, bent
towards Andromeda. The breath of her half-opened mouth was hot on his
lips, and he could hear the wild beating of her little heart. He felt
an infinite tenderness steal over him, and when a tear trembled on the
young girl's eyelashes he forgot everything, wiped the tear away
tenderly with the end of his finger and kissed it lovingly. Happily
the turning stage was almost out of sight and nobody except Genevieve
had caught sight of the incident.

Esperance breathed, "God, my God!"

The Duke raised the poor child, and said to her very low, "I love you,
Esperance."

She murmured, "You must not ... you must not."

While he was loosing her chains he continued, "I love you and I will
do anything to win your love."

She strengthened herself desperately.

"You do not need to do anything for it, alas!"

And she fled.

When the Count came to find her, there was only the Duke talking to
the stage hands.

"Where is Esperance?"

"I have no idea," replied Charles de Morlay dryly.

Albert turned on his heel, delighted to see the Duke out of humour.

Genevieve caught up with Andromeda who was running away out of breath,
seeing nothing, hearing nothing. Genevieve saw her enter the grove
leading to the clearing and there she joined her.

"Esperance, my darling, my little sister, stop, I beg you."

Her voice calmed the girl. She caught hold of one of the branches and
clung to it, gasping.

"Genevieve, Genevieve, why am I here?"

Her eyes shone with a wild light. She seemed to be absolutely exalted.

"He loves me, he loves me...."

"And I love him." And she threw herself in her friend's arms. "I am as
happy as you now, for I love.... The thick cloud that hung over
everything is gone. Everything is bright and beautiful. This dark
grove is sparkling with sunlight and...?"

Genevieve stopped her.

"Little sister, you are raving. Your pulse is racing with fever. We
must go back. Think of poor Albert."

Esperance drew herself up proudly, replying, "I will never betray him,
I will tell the truth, and I will become the wife of the Duke."

"You are talking wildly, dearest, the Duke will not marry you."

"He will marry me, I swear it!"

"Albert will enter the Chartist Monastery and the Countess Styvens
will die of sorrow."

"The Countess Styvens," said Esperance slowly.

As the sweet face of the mother came before her mind's eye she began
to tremble all over.

Maurice had followed the girls into the grove, and he found them now
in each other's arms.

"Genevieve," said Esperance, "not a word of what I have said!"

"Have you both gone crazy? They are looking everywhere for Esperance
for the 'Judgment of Paris,' and here you are congratulating and
kissing each other!"

"Cousin, I needed the air, don't scold. Genevieve looked for me and
found me before anybody else, and I kissed her because I love her
most."

She spoke fast and laughed nervously.

"Who freed you from your chains?"

"Perseus, it was his duty!"

"And now he is going to give you an apple."

"Then," she said very prettily, "I must try to deserve it. Come help
me to make myself beautiful."

She led Genevieve away by the hand.

Maurice remained rooted to the spot. Somehow he guessed what sudden
change had operated upon his cousin's spirit. Something must have
taken place in the corridor between these two! He murmured sadly,
"Poor Albert, poor little cousin!"

The young Count appeared before him in his most radiant humour.

"I have just met Esperance," he said. "She was joyous, brilliant, I
have never before seen her so happy!"

Maurice gnawed his moustache, and moved rather angrily.

"We should never have come here," he said, "success has turned her
head."

"She was born for success," said the Count. "I often ask myself
whether I have a right to accept the sacrifice she is making for me."

"My dear friend, when things are well you should leave them alone."

"When you love as I love, you desire above everything the happiness of
the one you love."

"Unless the one you love should prefer someone else to you?"

"You are wrong, Maurice. I would sacrifice myself for Esperance's
happiness if I knew she wanted to marry another man."

Maurice shrugged his shoulders.

"We are not of the same race. Your blood runs colder in your veins
than mine, for mine boils. But, perhaps you have a better
understanding of these things?"

And he left the Count to go and help the Duke prepare the "Judgment of
Paris."

Three young girls had been chosen for this tableau. Mlle. de Berneuve,
a beautiful brunette (Hera); Mlle. Lebrun, with flaming hair (Athene);
and Esperance, delicately blonde, was to represent Aphrodite, to whom
the shepherd Paris would award the prize for beauty.

To personify Aphrodite the girl wore a long pink tunic, with a peplum
of the same colour heavily embroidered. Her hair was piled high on her
head, leaving the lovely nape of her neck half covered by her
draperies, her exquisitely delicate arms emerging from a sleeveless
tunic. To represent the shepherd Paris, the Duke was wearing a short
tunic embroidered with agate beads to hold the stuff down, and a sheep
skin. A red cap was on his head. He was magnificent to look upon.

The stage began to revolve. Paris held out his apple to Aphrodite, who
went crimson at his glance. The girl's blushes did not escape the
audience, where the comments varied according to the person who made
them.

Maurice, Genevieve, and Jean understood what Esperance read in Paris's
eyes. A sad smile gave a melancholy grace to the lovely Aphrodite.
Both the actors had forgotten that they were not alone. Hypnotized
under the gaze of Paris, the young girl made a gesture towards him. A
sharp, "Don't move" from the prompter brought her back to herself. She
turned her head, saw the audience, with the eyes and glasses of
everyone focussed upon her. It seemed to her that they must all know
her secret. She tottered; and supported herself upon Athene. She must
have fallen from the frame and been badly hurt, if the Duke had not
caught her just in time. A cry escaped from the audience. The Marquis
de Montagnac gave a sign to the stage hands to stop revolving the
stage.

Albert climbed up on the stage at once. He thrust Paris quickly aside,
picked up the girl and carried her out on to the terrace. Maurice and
Jean followed him. She was not unconscious, but she could not speak
and she recognized no one. Genevieve knelt beside her. At first
delicacy--discretion--held the spectators back, but curiosity soon
drove them forward. But the Duke did not appear. He had seemingly
vanished.

The Doctor of the Château was called from playing croquet. He began by
ordering the crowd away. Esperance was stretched out on an easy chair
on the terrace. The Doctor looked at her for a moment, amazed at her
beauty, then sat beside her, feeling her pulse. Genevieve described
what had happened. He listened attentively.

"There is nothing serious," he said, "only a little exhaustion and
collapse. I will go and mix a soothing drink for her."

Esperance, still unconscious, was carried by her fiancé to her room,
where Genevieve and Mlle. Frahender put her to bed. Albert went back
to wait for the Doctor. Maurice went in search of Charles de Morlay.
He met a forester, who told him that the Duke had gone for a ride in
the forest, and had sent word to the Duchess that he might not be back
to lunch.

Maurice returned disturbed and thoughtful. Genevieve was waiting for
him with the news that the Doctor had himself administered a sleeping
draught to Esperance which he said should make her sleep at least five
hours.

"So much the better! That will give us a little time to consider and
to decide what is to be done. The truth is that we ought to clear out
this very day! Love is a miscreant!"

"Not always, fortunately," murmured Genevieve.

"You, Genevieve, have a balanced mind, calm, just. If only my cousin
had your equilibrium!"

"Oh! Maurice, Maurice...."

A tear ran down Genevieve's eyelashes. She closed her eyes. He took
the lovely head in his hands and his lips rested on her pure forehead.
They remained so for one marvellous, never-to-be-forgotten second.

When he left her Maurice met Albert Styvens. They walked side by side
towards the woods.

"I am very much alarmed," said the Count, "not about Esperance's health,
but about her state of mind. I am a poor psychologist, but my love for
your cousin has sharpened my wits. It seems to me that the Duke is
trying to make Esperance love him."

"Possibly; I had not noticed."

"Yes, Maurice, you have noticed and you have no right to deny it. I
want to ask your advice. The Duke and I both love your cousin. One of
us must lose. Just now I repulsed the Duke so rudely that he could
have demanded satisfaction, but I foresee that he will let it pass.
That attitude, so unusual to his temperament, proves that he wants to
avoid scandal. Why? What is his object?"

"I don't know," said Maurice. "He has gone riding in the forest,
probably to calm his nerves with solitude. He loves your fiancée, but
his honour forces him to respect her."

"Perhaps," said Albert.

"I think," said Maurice, "that we should all leave this evening or
to-morrow morning at the latest. Esperance is not ill, only worn out.
She is easily exhausted."

"And if she loves the Duke?" pursued the Count.

"Then it is my place to ask you what you are going to do about it?"

Albert was silent a minute, then raising his pale face, answered
slowly: "If she loves the Duke, I shall have to ask him what are his
intentions; and if, as I believe, he wishes to marry her, I shall die
a Chartist!"

The third gong vibrated, announcing lunch.

After lunch, Albert, Maurice, Jean, and Genevieve settled themselves
under a great oak, which was said to have been planted by a delightful
little Duchess of Castel-Montjoie, who had been celebrated at Court
during the Regency. A marble table and a heavy circular bench made
this wild corner quite cosy, and sheltered from the sun and from the
curious. The tree was just opposite the tower where Esperance was
sleeping so deeply, and Mlle. Frahender was to give a signal from the
window when she awoke. Neither of them felt much inclined for
conversation, for their eyes were fixed on the window opposite. About
half-past four Mlle. Frahender appeared, and Genevieve hastened to the
room.

Esperance was sitting up in bed, remembering nothing.

"Albert, Maurice, and Jean are over there. Do you wish to see them?"

Esperance rose up quickly, wrapping a robe of blue Japanese crêpe
embroidered in pink wisterias about her, and gracefully fastened up
her hair.

"Let them come, if you please, now."

The young men entered and stopped in amazement at the change that had
already taken place in her. Instead of finding her a wreck they
discovered her pink, gay and laughing.

"What happened to me?" she asked. "My little Mademoiselle does not
know, she was not well herself. There is my Aphrodite costume. What
happened to me?"

"It was very simple," explained Maurice. "You stayed too long with
your head hanging down during the rehearsal, and as you were tired it
made you ill. Albert brought you here and you have been asleep for
five hours. Now you are your charming self again. We will leave you so
that you can dress, and then if you feel like it we will take you for
a drive."

"I will be very quick; in ten minutes I will be with you."

The young people did not know what to think. It would now be very
difficult to suggest that Esperance should withdraw from the fête, as
apparently every trace of her indisposition had disappeared.

Then Albert spoke:

"I am going to ask Esperance to give up appearing at this performance
as a favour to me," he said. "I shall contribute largely to the
charitable fund, and we can go back to Penhouet."

He had hardly finished speaking when Esperance came into the little
salon.

"Here I am you see and the ten minutes is not yet up!"

A discreet tap at the door made them all turn round. The Dowager
Duchess appeared.

"Ah! my dear child, what a joy to see you so restored."

"I must apologize, Madame, for the trouble I gave you. It is all over,
all over," she said, shaking her pretty head; "and I am as well as
possible."

"I am more than delighted," said the Duchess, sitting down. "You have no
idea, my dear Albert, of the perfect disaster Esperance's absence would
have caused. She is the star of our bill, as they say, and on whom we
all rely. You know that my son wants to be elected Deputy, and this
fête will secure him the votes of the whole community. More than
fifteen hundred people have taken tickets. The local livery stable men
count on making a fortune. All the villagers are getting their rooms
ready to let. If that adorable child had failed us nothing could have
made it up to them, and my son would have been ruined."

She rose up.

"But," she added, with the sweet smile that won all hearts, "you see
me so happy, so reassured, that you must all be joyful with me."

The young people led her to the foot of the stair. The carriage was
waiting to take them for their drive.

The visit from the amiable Duchess rather disconcerted Albert, and
Jean, and Maurice and Genevieve. Everything seemed like the warring of
an implacable destiny. All four felt absolutely impotent.

The drive was stimulating. Esperance drew life at every breath. They
could watch the colour coming back into her cheeks.

As the carriage came out into a clearing, the Duke de Morlay rode
wildly by. His horse was covered with sweat and trembling so that he
had some difficulty in mastering it. The Duke inquired for Esperance's
health and decided that it must be excellent from her looks.

"But my dear Albert," he said, laughing, "you almost knocked me over
this morning, however, I do not blame you, I would have done as much
myself in your place. However, I must be off, my horse is fagged. I
shall see you later."

And he was gone.

"How pale the Duke looked," exclaimed Esperance.

"He is fatigued, he has been riding since this morning."

"Did he not lunch with you, cousin?"

"No."

"Why did he go away in such haste?"

"You are too curious."

Then, looking hard at her, "Perhaps he thought, like the good Duchess,
that your weakness was serious, and that all his little arrangements
were going to fall through."

"I understand that the Duchess cared, since the election of her son is
at stake, but the Duke, how would it affect him?"

Albert sitting opposite her in the carriage, looked her full in the
face.

"Perhaps he will never find another opportunity to pay his court to
you."

"Whew, that is straightforward bluntness for you!" thought Maurice.

Esperance grew red. The recollection of what had happened began to
come back little by little. She closed her eyes to be able to think
more clearly. Albert left her in her silence a minute, then he said,
"We had planned to carry you away to-day, but you heard what the
Duchess said just now. I feel bound by the confidence of that old
friend to remain. My fate is in your pretty hands. Be circumspect with
the Duke. Frank, and loyal with your fiancé."

And he took her hands, in a long kiss.

The coachman was told to turn around, for it was getting late. The
horses set off at a trot.

Nothing more was said between them, about the Duke.

After dinner, the Duke arose, and announced, "The fête will be the day
after to-morrow. We have only rehearsed once, and then, not in full. I
feel somewhat responsible for the exhaustion of our little star. Her
head, hanging down, was so beautiful, that I thought only of the pose,
without realizing how painful it must have become to the artist. I ask
Mile. Darbois' pardon. Also, I should like another stage director. I
propose M. Maurice Renaud, our ingenious collaborator, to whom we owe
our magnificent costumes, and originality of our decorations."

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