The Mirror, 1828.07.05, Issue No. 321
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Various >> The Mirror, 1828.07.05, Issue No. 321
Produced by The Mirror of Literature, Amusement, and Instruction
Jon Ingram, Charles Franks and the Online Distributed Proofreading Team
THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.
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[NO. 321.] SATURDAY, JULY 5, 1828. [PRICE 2d.]
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EATON HALL, CHESHIRE,
_The Seat of the Rt. Hon. Earl Grosvenor_.
[Illustration]
This mansion is a princely specimen of Gothic architecture; and is in
every respect calculated for the residence of its noble possessor, whose
taste and munificence in patronizing the Fine Arts are well known to our
readers. Nevertheless, it is worthy of special remark, that not only is
the name of GROSVENOR conspicuous in this patronage, but his lordship
has further evinced his love of art in the construction of one of the
most splendid buildings in the whole empire,--the present mansion having
been completed within a few years.[1] Here the noble founder seems to
have realized all that the ingenious Sir Henry Wotton considered
requisite for a man's "house and home--the theatre of his hospitality,
the seat of self-fruition, a kind of PRIVATE PRINCEDOM; nay, to the
possessors thereof, an epitome of the whole world."
[1] At this moment, Earl Grosvenor has in progress a splendid
gallery for the reception of his superb collection of pictures,
adjoining his town mansion, in Grosvenor-street. This is one of
the few "Private Collections" to which, through the good taste
and courtesy of the proprietor, the public are admitted, on
specified days, and under certain restrictions. The nucleus of
Earl Grosvenor's collection, was the purchase of Mr. Agar's
pictures for £30,000; since which it has been enlarged, till it
has at length become one of the finest in England. In the
drawing-room at Eaton are, _Our Saviour on the Mount of Olives_,
by Claude Lorraine, which is the largest painting known to have
been executed by him; and _A Port in the Mediterranean_, by
Vernet. In the dining-room, _Rubens with his Second Wife_; by
himself; and _The Judgment of Paris_, a copy, by Peters, after
Rubens. In the dressing-room of the state bed-room, _David and
Abigail_, also by Rubens. Over the ornamented chimney-pieces of
the hall are, West's _Dissolution of the Long Parliament_, and
_The Landing of Charles the Second_.
_Eaton_ is situated about three miles to the south of Chester, on the
verge of an extensive park, thickly studded with fine old timber. The
present "Hall" occupies the site of the old mansion, which is described
as a square and spacious brick building erected by Sir Thomas Grosvenor,
in the reign of William III. The architect was Sir John Vanbrugh, who
likewise laid out the gardens with straight walks and leaden statues, in
the formal style of his age. In the reconstruction, the fine vaulted
basement story of the old Hall was preserved, as were also the external
foundations, and some subdivisions; but the superstructure was altered
and entirely refitted, and additional apartments erected on the north
and south sides, so as to make the area of the new house twice the
dimensions of the old one.
The style of architecture adopted in the new Hall is that of the age of
Edward III, as exhibited in that Parthenon of Gothic architecture, York
Minster; although the architect, Mr. Porden, has occasionally availed
himself of the low Tudor arch, and the forms of any other age that
suited his purpose, so as to adapt the rich variety of our ancient
ecclesiastical architecture to modern domestic convenience. Round the
turrets, and in various parts of the parapets are shields, charged in
relievo with the armorial bearings of the Grosvenor family, and of
other ancient families that, by intermarriages, the Grosvenors are
entitled to quarter with their own. The windows, which are "richly
dight" with tracery, are of cast-iron, moulded on both sides, and
grooved to receive the glass. The walls, battlements, and pinnacles,
are of stone, of a light and beautiful colour, from the Manly quarry
about ten miles distant.
The annexed engraving represents the west-front of the house, in the
centre of which is the entrance, by a vaulted porch, which admits a
carriage to the steps that lead to the Hall, a spacious and lofty room,
occupying the height of two stories, with a groined ceiling, embellished
with the Grosvenor arms, and other devices, in the bosses that cover the
junction of the ribs. The pavement is of variegated marble in
compartments. At the end of the Hall, a screen of five arches support a
gallery which connects the bed-chambers on the north side of the house
with those on the south, which are separated by the elevation of the
Hall. Under this gallery, two open arches to the right and left conduct
to the grand staircase, the state bed-room, and the second staircase;
and opposite to the door of the hall is the entrance to the saloon. The
grand staircase is elaborately ornamented with niches and canopies, and
with tracery under the landings; and in the principal ceiling, which is
surmounted with a double skylight of various coloured glass. The state
bed-room is lighted by two painted windows, with tracery and armorial
bearings. In the saloon are three lofty and splendidly painted windows,
which contain, in six divisions,--the portraits of the conqueror's
nephew, Gilbert le Grosvenor, the founder of the Grosvenor family, and
his lady; of William the Conqueror, with whom Gilbert came into England;
the Bishop of Bayeux, uncle to the conqueror; the heiress of the house
of Eaton; and Sir Robert le Grosvenor, who signalized himself in the
wars of Edward III.
The saloon is a square of thirty feet, formed into an octagon by arches
across the angles, which give to the vaultings a beautiful form.
Opposite to the chimney piece is an organ richly decorated. On the left
of the saloon is an ante-room leading to the dining-room; and on the
right, another leading to the drawing-room: the windows of these rooms
are glazed with a light Mosaic tracery, and exhibit the portraits of the
six Earls of Chester, who, after Hugh Lupus, governed Cheshire as a
County Palatine, till Henry III bestowed the title on his son Edward;
since which time the eldest sons of the kings of England have always
been Earls of Chester.
The dining-room, situated at the northern extremity of the east front,
is about 50 feet long and 30 feet wide, exclusive of a bay-window of
five arches, the opening of which is 30 feet. In the centre window is
the portrait of Hugh Lupus; which, with the portraits of the six Earls
of Chester, in the ante-room windows, were executed from cartoons, at
Longport, Staffordshire. The ceiling is of bold and rich tracery, with a
profuse emblazoning of heraldic honours, and a large ornamented pendant
for a chandelier.
The drawing room, which is at the southern extremity of the east front,
is of the same form and dimensions as the dining-room, with the addition
of a large window to the south, commanding the luxuriant groves of
meadows of Eaton, and the village and spire of Oldford above them. All
the windows of this room are adorned with heads and figures of the
ancestors of the family; also the portraits of the present Earl and
Countess, in a beautiful brown _chiaro-scuro_. The ceiling is tracery of
the nicest materials and workmanship emblazoned with the arms of the
Grosvenor family, and those of Egerton, Earl of Wilton, the father of
the present Countess Grosvenor.
Eaton became the property of the Grosvenor family through the marriage
of Ralph Grosvenor, in the reign of Henry VI with Joan, daughter of John
Eaton, then owner of this estate. The Grosvenor family, as we have
already intimated, came into England with William the Conqueror; they
derived their name from the office of chief huntsmen, which they held in
the Norman court; and, when "chivalry was the fashion of the times,"
says Pennant, "few families shone in so distinguished a manner: none
shewed equal spirit in vindicating their rights to their looms." He then
mentions the celebrated legal contest with Sir Richard le Scroope, for
the family arms--_Azure, a bend or_. This cause was tried before the
High Constable and the Earl Marshal of England, in the reign of Richard
II. It lasted three years; kings, princes of the blood, and most of the
nobility, and among the gentry, Chaucer, the poet, gave evidence on the
trial. "The sentence," says Pennant, "was conciliating; that both
parties should bear the same arms; but the _Grosvenours avec une bordure
d'argent_. Sir Robert resents it, and appeals to the king. The judgment
is confirmed; but the choice is left to the defendant, either to use the
_bordure_, or bear the arms of their relations, the ancient Earls of
Chester, _azure, a gerb d'or_. He rejected the mortifying distinction,
and chose a _gerb_: which is the family coat to this day."
Hitherto we have only spoken of the artificial splendour of Eaton. The
natural beauties with which it is environed will, however, present
equal, if not superior, attraction for the tourist. The stiff, formal
walks of Vanbrugh no longer disfigure the grounds, which are now made to
harmonize with the contiguous landscape, and are enlivened by an inlet
of the Dee, which intervenes between the eastern front of the mansion,
and the opposite plantations. These alterations have, however, been made
with great judgment, and a few of the venerable beauties of the park
remain. Thus, a fine aged avenue extends westward to a Gothic lodge in
the hamlet of Belgrave, about two miles distant from the Hall. Another
lodge, in a similar style of design, is approached by a road, which
diverges from this avenue towards Chester, and crosses the park, through
luxuriating plantations, which open occasionally in glade views of the
Broxton and Welsh Hills. The most pleasing approach to this noble
mansion is one which has been cut through the plantations, towards the
north-east angle of the house, so as to throw the whole building into
perspective.
Viewed from either of the beautiful sites with which the park abounds,
Eaton is a magnificent display of towers, and turrets, pinnacles and
battlements, partly embosomed in foliage, and belted with one of the
richest domains in England. Indeed, its splendour seldom fails to strike
the overweening admirer of art with devotional fondness, which is not
lessened by his approach to the fabric.[1] The most favourable distant
views are from the Aldford road, and from the romantic banks of the Dee,
whence there is a proud display of architectural grandeur. In every
point, however, the grounds and mansion of Eaton will abundantly gratify
the expectations of the visiter. Altogether, they present a rich scene
of nature, diversified and embellished by the attributes of art; and the
admiration of the latter will be not a little enhanced by the reflection
that the building of this sumptuous pile provided employment for a large
portion of the poor of Chester during one of the most calamitous periods
of the late war.
[1] One view from the interior deserves special mention: viz. from
the saloon, upon a terrace 350 feet in length, commanding one
of the richest landscapes on the banks of Dee. The boasted
terrace at Versailles is but 400 feet in length; yet, how many
Englishmen, who have seen the latter, are even ignorant of
that at Eaton.
The noble founder of Eaton has indeed learned to "build stately," and
"garden finely;" and has thus made the personal fruition of his wealth
subservient to its real use--the distribution.
* * * * *
ORIGIN OF CHESS.
(_To the Editor of the Mirror_.)
SIR,--In vol. 3, page 211, of the MIRROR, is an account of the origin of
the scientific game of chess, the invention of which, your correspondent
_F. H. Y._ has attributed to a brahmin, named Sissa. But I believe it is
entirely a matter of doubt, both as to where, and by whom it was
invented; it is evidently of very high antiquity, and if we recur to the
original names of the pieces with which it is played, we shall readily
be convinced it is of Asiatic original. The honour of inventing it, is
contended for by several nations, but principally by the Hindoos, the
Chinese, and the Persians. In support of the first, we are told, by Sir
William Jones, in the 2nd vol. of his _Asiatic Researches_, that the
game of chess has been immemorably known in Hindostan, by the name of
Chaturanga, or the four members of an army, viz. elephants, horses,
chariots, and foot soldiers. And yet, the same learned author observes,
that no account of the game has hitherto been discovered in the
classical writings of the brahmins. Mr. Daines Barrington supposed the
Chinese to be the inventers, and in this he is supported by a paper
published in the Transactions of the Royal Irish Academy, for 1794, vol.
5, by Mr. Eyles Irwin. It states, that when Mr. Irwin was at Canton, a
young mandarin, on seeing the English chess-board, recognised its
similarity with that used for a game of their own; and brought his board
and equipage for Mr. Irwin's inspection, and soon after gave him a
manuscript extract from a book, relating the invention of the Chinese
game, called by them chong-he, or the royal game, which it attributed to
a Chinese general (about 1,965 years ago) who by its means reconciled
his soldiers to passing the winter in quarters in the country of Shensi,
the cold and inconvenience of which were likely to have occasioned a
mutiny among them. Other writers contend that chess is a game of Persian
invention, since _scah muth_ is the Persic term for check-mate; and
since the Persians were sedulous in recommending it to their young
princes, as a game calculated to instruct kings in the art of war. It
has been attributed to Palamedes, who lived during the Trojan war; but
it was a game played with pebbles, or cubes, of which he was the
inventer. Palamedes was so renowned for his sagacity, that almost every
early discovery was ascribed to him. Whether the Greeks or Romans were
acquainted with this game is doubtful. Of the three contending nations,
the claim of the Persians appears to me to be least eligible, and that
of the Chinese the most.
_Near Sheffield._
J. M. C-D.
* * * * *
THREE SONNETS TO JOHN KEATS.
(_For the Mirror_.)
I can think of thee! now that the light spring
Showers live in the rich breezes, and the dyes
Of the glad flowers are won from her blue eyes
Exulting; whilst loud songs, on the fleet wing
Of the Earth's seraphs, bear her welcoming
From it to heaven, and, up to the far skies,
From turf-born censers floods of incense rise.
I can think of thee in my wandering;
And when the heart leaps up within to bless
The sights of love and beauty, on each hand,--
The pouring-out of sky-sprung happiness
Over the dancing sea and the green land,
Thought wakes one saddening thrill of bitterness--
Thou canst not o'er this Eden smiling stand!
Yes! even as the quick glow of Spring's first smile
Is unto the renewed spirit,--even
As that abundant gush of wine from Heaven
Loosens the dreary grasp of Cares which coil
Round the lone heart like serpents,--the sweet toil
Of draining the dear dream-cup thou hast given
Is unto me,--and thoughts which long have striven
With joyousness, flit far away the while
My lips are prest to it. By the fire-light,
Or in full gaze of sun-set, when the choirs
Of winged minstrels, waking out of light,
Ring requiem meet to those departing fires--
Let me be with thee then--forgetting quite
The world, its scornfulness, and its desires.
O! I could weep for thee! and yet not tears
Of hopelessness, but triumph, and sit down
And weave for thee wet wild-flowers for a crown--
Then up, and sound rich music in thine ears;
And teach thee, that sweet lips, in coming years,
Shall lisp the songs which cold dull hearts disown,--
That all which hope could pant for is thine own,--
Dimmed, for a moment's space, with human fears.
Then watch the new-born glories in thine eye,
Glancing like lightning from its chariot cloud,
And list these words, which know not how to die,--
Joy's inspiration gushing forth aloud:
Then back again unto the world and sigh,
And wrap my heart up in a dusky shroud.
THOMAS M---- S.
* * * * *
CHOOSING OF BAILIFFS AT BRIDGNORTH.
(_For the Mirror_.)
The bailiffs of Bridgnorth are chosen out of the twenty-four aldermen
upon St. Matthew's Day in the following manner:--The court having met,
the names of twelve aldermen being separately written on small pieces of
paper, are closely rolled up by the town clerk, and thrown into a purse,
which is shaken by the two chamberlains standing upon the chequer, (a
large table in the middle of the court,) and held open to the bailiffs,
when each, according to seniority, takes out a roll. By this means the
callers are decided, who, mounting the chequer, alternately call the
jury of fourteen out of the burgesses present. They are then sworn
neither to eat nor drink till they, or twelve of them, have chosen two
fit persons, who have not been bailiffs for three years before, to serve
that office for the ensuing year; they are locked up till they have
agreed, which sometimes occasions long fastings. In 1739, the jury
fasted seventy hours. The persons chosen are sworn into office on
Michaelmas Day.--W. H.
* * * * *
ON COALS, AND THE PERIOD WHEN THE COAL MINES IN ENGLAND WILL BE
EXHAUSTED.
(_From Bakewell's Introduction to Geology, 3rd Edition, 1828_.)
Coal was known, and partially used, at a very early period of our
history. I was informed by the late Marquis of Hastings, that stone
hammers and stone tools were found in some of the old workings in his
mines at Ashby Wolds; and his lordship informed me also, that similar
stone tools had been discovered in the old workings in the coal-mines in
the north of Ireland. Hence we may infer, that these coal-mines were
worked at a very remote period, when the use of metallic tools was not
general. The burning of coal was prohibited in London in the year 1308,
by the royal proclamation of Edward I. In the reign of Queen Elizabeth,
the burning of coal was again prohibited in London during the sitting of
parliament, lest the health of the knights of the shire should suffer
injury during their abode in the metropolis. In the year 1643, the use
of coal had become so general, and the price being then very high, many
of the poor are said to have perished for want of fuel. At the present
day, when the consumption of coal, in our iron-furnaces and
manufactories and for domestic use, is immense, we cannot but regard the
exhaustion of our coal-beds as involving the destruction of a great
portion of our private comfort and national prosperity. Nor is the
period very remote when the coal districts, which at present supply the
metropolis with fuel, will cease to yield any more. The annual quantity
of coal shipped in the rivers Tyne and Wear, according to Mr. Bailey,
exceeded three million tons. A cubic yard of coals weighs nearly one
ton; and the number of tons contained in a bed of coal one square mile
in extent, and one yard in thickness, is about four millions. The number
and extent of all the principal coal-beds in Northumberland and Durham
is known; and from these data it has been calculated that the coal in
these counties will last 360 years. Mr. Bailey, in his Survey of Durham,
states, that one-third of the coal being already got, the coal districts
will be exhausted in 200 years. It is probable that many beds of
inferior coal, which are now neglected, may in future be worked; but the
consumption of coal being greatly increased since Mr. Bailey published
his Survey of Durham, we may admit his calculation to be an
approximation to the truth, and that the coal of Northumberland and
Durham will be exhausted in a period not greatly exceeding 200 years.
Dr. Thomson, in the Annals of Philosophy, has calculated that the coal
of these districts, at the present rate of consumption, will last 1,000
years! but his calculations are founded on data manifestly erroneous,
and at variance with his own statements; for he assumes the annual
consumption of coal to be only two million eight hundred thousand tons,
and the waste to be one-third more,--making three million seven hundred
thousand tons, equal to as many square yards; whereas he has just before
informed us, that two million chaldrons of coal, of two tons and a
quarter each chaldron, are exported, making four million five hundred
thousand tons, beside inland consumption, and waste in the working[1].
According to Mr. Winch, three million five hundred thousand tons of coal
are consumed annually from these districts; to which if we add the waste
of small coal at the pit's mouth, and the waste in the mines, it will
make the total yearly destruction of coal nearly double the quantity
assigned by Dr. Thomson. Dr. Thomson has also greatly overrated the
quantity of the coal in these districts, as he has calculated the extent
of the principal beds from that of the lowest, which is erroneous; for
many of the principal beds crop out, before they reach the western
termination of the coal-fields. With due allowance for these errors, and
for the quantity of coal already worked out, (which, according to Mr.
Bailey, is about one-third,) the 1,000 years of Dr. Thomson will not
greatly exceed the period assigned by Mr. Bailey for the complete
exhaustion of coal in these counties, and may be stated at three hundred
and fifty years.
[1] The waste of coal at the pit's mouth may be stated at one-sixth
of the quantity sold, and that left in the mines at one-third.
Mr. Holmes, in his Treatise on Coal Mines, states the waste of
small coal at the pit's mouth to be one-fourth of the whole.
It cannot be deemed uninteresting to inquire what are the repositories
of coal that can supply the metropolis and the southern counties, when
no more can be obtained from the Tyne and the Wear. The only coal-fields
of any extent on the eastern side of England, between London and Durham,
are those of Derbyshire and those in the west riding of Yorkshire. The
Derbyshire coal-field is not of sufficient magnitude to supply, for any
long period, more than is required for home consumption, and that of the
adjacent counties. There are many valuable beds of coal in the western
part of the west riding of Yorkshire which are yet unwrought; but the
time is not very distant when they must be put in requisition, to supply
the vast demand of that populous manufacturing county, which at present
consumes nearly all the produce of its own coal mines. In the midland
counties, Staffordshire possesses the nearest coal districts to the
metropolis, of any great extent; but such is the immense daily
consumption of coal in the iron-furnaces and founderies, that it is
generally believed this will be the first of our own coal-fields that
will be exhausted. The thirty-feet bed of coal in the Dudley coal-field
is of limited extent; and in the present mode of working it, more than
two-thirds of the coal is wasted and left in the mine.
If we look to Whitehaven or Lancashire, or to any of the minor
coal-fields in the west of England, we can derive little hope of their
being able to supply London and the southern counties with coal, after
the import of coal fails from Northumberland and Durham. We may thus
anticipate a period not very remote, when all the English mines of coal
and ironstone will be exhausted; and were we disposed to indulge in
gloomy forebodings, like the ingenious authoress of the "Last Man," we
might draw a melancholy picture of our starving and declining
population, and describe some manufacturing patriarch, like the late
venerable Richard Reynolds, travelling to see the last expiring English
furnace, before he emigrated to distant regions.[1]
[1] The late Richard Reynolds, Esq., of Bristol, so distinguished
for his unbounded benevolence, was the original proprietor of
the great iron-works in Colebrook Dale, Shropshire. Owing, I
believe, partly to the exhaustion of the best workable beds of
coal and ironstone, and partly to the superior advantages
possessed by the iron-founders in South Wales, the works at
Colebrook Dale were finally relinquished, a short time before
the death of Mr. Reynolds. With a natural attachment to the
scenes where he had passed his early years, and to the pursuits
by which he had honourably acquired his great wealth, he
travelled from Bristol into Shropshire, to be present when the
last of his furnaces was extinguished, in a valley where they
had been continually burning for more than half a century.