The Yellow Streak
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Williams, Valentine >> The Yellow Streak
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"Let's see," said the Major, addressing a large brown-paper covered
package standing in the corner of the room, "you're the bird-cage for
Lady Sylvia at The Hague. Two pounds of candles for Mrs. Harry Deepdale
at Berlin; the razor blades for Sir Archibald at Prague; the Teddy bear
for Marjorie; polo-balls for the Hussars at Constantinople--there! I
think that's the lot! Hullo, hullo, who the devil's that?"
With a groaning of wires a jangling bell tinkled through the hall (the
Major's bedroom was on the ground floor). Sims, the aged ex-butler, who,
with his wife, "did for" his lodgers in more ways than one, was out and
the single servant-maid had her Sunday off. Euan MacTavish glanced at
his wrist watch. It showed the hour to be ten minutes past nine. A
flowered silk smoking-coat over his evening clothes and a briar pipe in
his mouth, he went out into the hall and opened the front door.
It was a drenching night. The lamps from a taxi which throbbed dully in
the street outside the house threw a gleaming band of light on the
shining pavement. At the door stood a taxi-driver.
"There's a lady asking for Major MacTavish," he said, pointing at the
cab. The Major stepped across to the cab and opened the door.
"Oh, Euan," said a girl's voice, "how lucky I am to catch you!"
"Why, Mary," exclaimed the Major, "what on earth brings you round to me
on a night like this? I only came up from the country this afternoon and
I'm off for Constantinople in the morning!"
"Euan," said Mary Trevert, "I want to talk to you. Where can we talk?"
The Major raised his eyebrows. He was a little man with grizzled hair
and finely cut, rather sharp features.
"Well," he remarked, "there's not a soul in the house, and I've only got
a bedroom here. Though we're cousins, Mary, my dear, I don't know that
you ought to...."
"You're a silly old-fashioned old dear," exclaimed the girl, "and I'm
coming in. No, I'll keep the cab. We shall want it!"
"All right," said the Major, helping her to alight. "I tell you what.
We'll go into Harry Prankhurst's sitting-room. He's away for the
week-end, anyway!"
He took Mary Trevert into a room off the hall and switched on the
electric light. Then for the first time he saw how pale she looked.
"My dear," he said, "I know what an awful shock you've had...."
"You've heard about it?"
"I saw it in the Sunday papers. I was going to write to you."
"Euan," the girl began in a nervous, hasty way, "I have to go to Holland
at once. There is not a moment to lose. I want you to help me get my
passport viséed."
"But, my dear girl," exclaimed the Major, aghast, "you can't go to
Holland like this alone. Does your mother know about it?"
The girl shook her head.
"It's no good trying to stop me, Euan," she declared. "I mean to go,
anyway. As a matter of fact, Mother doesn't know. I merely left word
that I had gone to the Continent for a few days. Nobody knows about
Holland except you. And if you won't help me I suppose I shall have to
go to Harry Tadworth at the Foreign Office. I came to you first because
he's always so stuffy ..."
Euan MacTavish pushed the girl into a chair and gave her a cigarette. He
lit it for her and took one himself. His pipe had vanished into his
pocket.
"Of course, I'll help you," he said. "Now, tell me all about it!"
"Before ... this happened I had promised Hartley Parrish to marry him,"
began the girl. "The doctors say his nerves were wrong. I don't believe
a word of it. He was full of the joy of life. He was very fond of me. He
was always talking of what we should do when we were married. He never
would have killed himself without some tremendously powerful motive.
Even then I can't believe it possible ..."
She made a little nervous gesture.
"After he ... did it," she went on, "I found this letter on his desk. It
came to him from Holland. I mean to see the people who wrote it and
discover if they can throw any light on ... on ... the affair ..."
She had taken from her muff a letter, folded in four, written on paper
of a curious dark slatey-blue colour.
"Won't you show me the letter?"
"You promise to say nothing about it to any one?"
He nodded.
"Of course."
Without a word the girl gave him the letter. With slow deliberation he
unfolded it. The letter was typewritten and headed: "Elias van der Spyck
& Co. General Importers, Rotterdam."
This was the letter:
ELIAS VAN DER SPYCK & CO.
GENERAL IMPORTERS
ROTTERDAM Rotterdam 25th Nov.
_Codes_
A.B.C.
Liebler's
_Personal_
Dear Mr. Parrish,
Your favor of even date to hand and contents
noted. The last delivery of steel was to time but we have had
warning from the railway authorities that labour troubles at the
docks are likely to delay future consignments. If you don't
mind we should prefer to settle the question of future
delivery by Nov. 27 as we have a board meeting on the 30th
inst. While we fully appreciate your own difficulties with
labour at home, you will understand that this is a question
which we cannot afford to adjourn _sine die_.
Yours faithfully,
pro ELIAS VAN DER SPYCK & CO.
The signature was illegible.
Euan MacTavish folded the letter again and handed it back to Mary.
"That doesn't take me any farther," he said. "What do the police think
of it?"
"They haven't seen it," was the girl's reply. "I took it without them
knowing. I mean to make my own investigations about this ..."
"But, my dear Mary," exclaimed the little Major in a shocked voice, "you
can't do things that way! Don't you see you may be hindering the course
of justice? The police may attach the greatest importance to this
letter ..."
"You're quite right," retorted the girl, "they do!"
"Then why have you kept it from them?"
Mary Trevert dropped her eyes and a little band of crimson flushed into
her cheeks.
"Because," she commenced, "because ... well, because they are trying to
implicate a friend of mine ..."
The Major took the girl's hand.
"Mary," he said, "I've known you all your life. I've knocked about a
good bit and know something of the world, I believe. Suppose you tell me
all about it ..."
Mary Trevert hesitated. Then she said, her hands nervously toying with
her muff:
"We believe that Robin Greve--you know whom I mean--had a conversation
with Hartley just before he ... he shot himself. That very afternoon
Robin had asked me to marry him, but I told him about my engagement. He
said some awful things about Hartley and rushed away. Ten minutes later
Hartley Parrish committed suicide. And there _was_ some one talking to
him in the library. Bude, the butler, heard the voices. This afternoon I
went down to the library alone ... to see if I could discover anything
likely to throw any light on poor Hartley's death. This was the only
letter I could find. It was tucked away between two letter-trays. One
tray fitted into the other, and this letter had slipped between. It
seems to have been overlooked both by Mr. Parrish's secretary and the
police ..."
"But I confess," argued the Major, "that I don't see how this letter,
which appears to be a very ordinary business communication, implicates
anybody at all. Why shouldn't the police see it?..."
"Because," said Mary, "directly after discovering it I found Bruce
Wright, who used to be one of Mr. Parrish's private secretaries, hiding
behind the curtains in the library. Now, Bruce Wright is a great friend
of Robin Greve's, and I immediately suspected that Robin had sent him
to Harkings, particularly as ..."
"As what?..."
"As he practically admitted to me, that he had come for a letter written
on slatey-blue official-looking paper."
The girl held up the letter from Rotterdam.
"All this," the girl continued, "made me think that this letter must
have had something to do with Hartley's death ..."
"Surely an additional reason for giving it to the police!..."
Mary Trevert set her mouth in an obstinate line.
"No!" she affirmed uncompromisingly. "The police believe that, as the
result of a scene between Hartley and Robin, Hartley killed himself.
Until I've found out for certain whether this letter implicates Robin or
not, I sha'n't give it to the police ..."
"But, if Greve really had nothing to do with this shocking tragedy, the
police can very easily clear him. Surely they are the best judges of his
guilt ..."
Again a touch of warm colour suffused the girl's cheeks. Euan MacTavish
remarked it and looked at her wistfully.
"Well, well," he observed gently, "perhaps they're not, after all!"
The girl looked up at him.
"Euan, dear," she said impulsively, "I knew you'd understand. Robin and
Hartley may have had a row, but it was nothing worse. Robin is incapable
of having threatened--blackmailed--Hartley, as the police seem to
imagine. I am greatly upset by it all; I can't see things clear at all;
but I'm determined not to give the police a weapon like this to use
against Robin until I know whether it is sharp or blunt, until I have
found out what bearing, if any, this letter had on Hartley Parrish's
death ..."
Euan MacTavish leant back in his chair and said nothing. He finished his
cigarette, pitched the butt into the fender, and turned to Mary. He
asked her to let him see the letter again. Once more he read it over.
Then, handing it back to her, he said:
"It's all so simple-looking that there may well be something behind it.
But, if you do go to Holland, how are you going to set about your
enquiries?"
"That's where you can help me, Euan, dear," answered the girl. "I want
to find somebody at Rotterdam who will help me to make some confidential
enquiries about this firm. Do you know any one? An Englishman would be
best, of course ..."
But Euan MacTavish was halfway to the door.
"Wait there," he commanded, "till I telephone the one man in the world
who can help us."
He vanished into the hall where Mary heard him at the instrument.
"We are going round to the Albany," he said, "to see my friend, Ernest
Dulkinghorn, of the War Office. He can help us if any one can. But,
Mary, you must promise me one thing before we go ... you must agree to
do what old Ernest tells you. You needn't be afraid. He is the most
unconventional of men, capable of even approving this madcap scheme of
yours!"
"I agree," said Mary, "but how you waste time, Euan! We could have been
at the Albany by this time!"
In a first-floor oak-panelled suite at the Albany, overlooking the
covered walk that runs from Piccadilly to Burlington Gardens, they found
an excessively fair, loose-limbed man whose air of rather helpless
timidity was heightened by a pair of large tortoise-shell spectacles. He
appeared excessively embarrassed at the sight of MacTavish's extremely
good-looking companion.
"You never told me you were bringing a lady, Euan," he said
reproachfully, "or I should have attempted to have made myself more
presentable."
He looked down at his old flannel suit and made an apologetic gesture
which took in the table littered with books and papers and the sofa on
which lay a number of heavy tomes with marked slips sticking out between
the pages.
"I am working at a code," he explained.
"Ernest here," said MacTavish, turning to Mary, "is the code king. Your
pals in the Intelligence tell me, Ernest, that you've never been beaten
by a code ..."
The fair man laughed nervously.
"They've been pullin' your leg, Euan," he said.
"Don't you believe him, Mary," retorted her cousin. "This is the man who
probably did more than any one man to beat the Boche. Whenever the
brother Hun changed his code, Brother Ernest was called in and he
produced a key in one, two, three!..."
"What rot you talk, Euan!" said Dulkinghorn. "Working out a code is a
combination of mathematics, perseverance, and inspiration with a good
slice of luck thrown in! But isn't Miss Trevert going to sit down?"
He cleared the sofa with a sweep of his arm which sent the books flying
on to the floor.
"Ernest," said MacTavish, "I want you to give Miss Trevert here a
letter to some reliable fellow in Rotterdam who can assist her in making
a few enquiries of a very delicate nature!"
"What sort of enquiries?" asked Dulkinghorn bluntly.
"About a firm called Elias van der Spyck," replied Euan.
"Of Rotterdam?" enquired the other sharply.
"That's right! Do you know them?"
"I've heard the name. They do a big business. But hadn't Miss Trevert
better tell her story herself?"
Mary told him of the death of Hartley Parrish and of the letter she had
found upon his desk. She said nothing of the part played by Robin Greve.
"Hmph!" said Dulkinghorn. "You think it might be blackmail, eh? Well,
well, it might be. Have you got this letter about you? Hand it over and
let's have a look at it."
His nervous manner had vanished. His face seemed to take on a much
keener expression. He took the letter from Mary and read it through.
Then he crossed the room to a wall cupboard which he unlocked with a key
on a chain, produced a small tray on which stood a number of small
bottles, some paint-brushes and pens, and several little open dishes
such as are used for developing photographs. He bore the tray to the
table, cleared a space on a corner by knocking a pile of books and
papers on the floor, and set it down.
"Just poke the fire!" he said to Euan.
From a drawer in the table he produced a board on which he pinned down
the letter with a drawing-pin at each corner. Then he dipped a
paint-brush into one of the bottles and carefully painted the whole
surface of the sheet with some invisible fluid.
"So!" he said, "we'll leave that to dry and see if we can find out any
little secrets, eh? That little tray'll do the trick if there's any
monkey business to this letter of yours, Miss Trevert. That'll do the
trick, eh, what?"
He paced the room as he talked, not waiting for an answer, but running
on as though he were soliloquizing. Presently he turned and swooped down
on the board.
"Nothing," he ejaculated. "Now for the acids!"
With a little piece of sponge he carefully wiped the surface of the
letter and painted it again with a substance from another bottle.
"Just hold that to the fire, would you, Euan?" he said, and gave
MacTavish the board. He resumed his pacing, but this time he hummed in
the most unmelodious voice imaginable:
She was bright as a butterfly, as fair as a queen,
Was pretty little Polly Perkins, of Paddington Green.
"It's dry!"
MacTavish's voice broke in upon the pacing and the discordant song.
"Well?"
Dulkinghorn snapped out the question.
"No result!" said Euan. He handed him the board.
Dulkinghorn cast a glance at it, swiftly removed the letter, held it for
an instant up to the electric light, fingered the paper for a moment,
and handed the letter back to Mary.
"If it's code," he said, "it's a conventional code and that always beats
the expert ... at first. Go to Rotterdam and call on my friend, Mr.
William Schulz. I'll give you a letter for him and he'll place himself
entirely at your disposition. Euan will take you over. Holland is on
your beat, ain't it, Euan? When do you go next?"
"To-morrow," said the King's Messenger. "The boat train leaves Liverpool
Street at ten o'clock."
"You'll want a passport," said Dulkinghorn, turning to the girl.
"You've got it there? Good. Leave it with me. You shall have it back
properly viséed by nine o'clock to-morrow morning. Where are you
stayin'? Almond's Hotel. Good. I'll send the letter for Mr. William
Schulz with it!"
"But," Euan interjected mildly, after making several ineffectual efforts
to stem the torrent of speech, "do you really think that Miss Trevert
will be well advised to risk this trip to Holland alone? Hadn't the
police better take the matter in hand?"
"Police be damned!" replied Dulkinghorn heartily. "Miss Trevert will be
better than a dozen heavy-handed, heavy-footed plain-clothes men. When
you get to Rotterdam, Miss Trevert, you trot along and call on William
Schulz. He'll see you through."
Then, to indicate without any possibility of misunderstanding, that his
work had been interrupted long enough, Dulkinghorn got up, and, opening
the sitting-room door, led the way into the hall. As he stood with his
hand on the latch of the front door, Mary Trevert asked him:
"Is this Mr. Schulz an Englishman?"
"I'll let you into a secret," answered Bulkinghorn; "he _was_. But he
isn't now! No, no, I can't say anything more. You must work it out for
yourself. But I will give you a piece of advice. The less you say about
Mr. William Schulz and about your private affairs generally when you are
on the other side, the better it will be for you! Good-night--and good
luck!"
Euan MacTavish escorted Mary to Almond's Hotel.
"I'm very much afraid," he said to her as they walked along, "that
you're butting that pretty head of yours into a wasps' nest, Mary!"
"Nonsense!" retorted the girl decisively; "I can take care of myself!"
"If I consent to let you go off like this," said Euan, "it is only on
one condition ... you must tell Lady Margaret where you are going ..."
"That'll spoil everything," answered Mary, pouting; "Mother will want to
come with me!"
"No, she won't," urged her cousin, "not if I tell her. She'll worry
herself to death, Mary, if she doesn't know what has become of you.
You'd better let me ring her up from the club and tell her you're
running over to Rotterdam for a few days. Look here, I'll tell her
you're going with me. She'll be perfectly happy if she thinks I'm to be
with you ..."
On that Mary surrendered.
"Have it your own way," she said.
"I'll pick you up here at a quarter-past nine in the morning," said Euan
as he bade the girl good-night at her hotel, "then we'll run down to
the F.O. and collect my bags and go on to the station!"
"Euan," the girl asked as she gave him her hand, "who is this man
Schulz, do you think?"
The King's messenger leant over and whispered:
"Secret Service!"
"Secret Service!"
The girl repeated the words in a hushed voice.
"Then Mr. Dulkinghorn ... is he ... that too?"
Euan nodded shortly.
"One of their leadin' lights!" he answered.
"But, Euan,"--the girl was very serious now,--"what has the Secret
Service to do with Hartley Parrish's clients in Holland?"
The King's messenger laid a lean finger along his nose.
"Ah!" he said, "what? That's what is beginning to interest me!"
CHAPTER XXI
A WORD WITH MR. JEEKES
Life is like a kaleidoscope, that ingenious toy which was the delight of
the Victorian nursery. Like the glass fragments in its slide, different
in colour and shape, men's lives lie about without seeming connection;
then Fate gives the instrument a shake, and behold! the fragments slide
into position and form an intricate mosaic....
Mark how Fate proceeded on the wet and raw Sunday evening when Bruce
Wright, at the instance of Mr. Manderton, quitted Robin Greve's chambers
in the Temple, leaving his friend and the detective alone together. To
tell the truth, Bruce Wright was in no mood for facing the provincial
gloom of a wet Sunday evening in London, nor did he find alluring the
prospect of a suburban supper-party at the quiet house where he lived
with his widowed mother and sisters in South Kensington. So, in an
irresolute, unsettled frame of mind, he let himself drift down the
Strand unable to bring himself to go home or, indeed, to form any plan.
He crossed Trafalgar Square, a nocturne in yellow and black--lights
reflected yellow in pavements shining dark with wet--and by and by
found himself in Pall Mall. Here it was that Fate took a hand. At this
moment it administered a preliminary jog to the kaleidoscope and brought
the fragment labelled Bruce Wright into immediate proximity with the
piece entitled Albert Edward Jeekes.
As Bruce Wright came along Pall Mall, he saw Mr. Jeekes standing on the
steps of his club. The little secretary appeared to be lost in thought,
his chin thrust down on the crutch-handle of the umbrella he clutched to
himself. So absorbed was he in his meditations that he did not observe
Bruce Wright stop and regard him. It was not until our young man had
touched him on the arm that he looked up with a start.
"God bless my soul!" he exclaimed, "if it isn't young Wright!"
Now the sight of Jeekes had put a great idea into the head of our young
friend. He had been more chagrined than he had let it appear to Robin
Greve at his failure to recover the missing letter from the library at
Harkings. To obtain the letter--or, at any rate, a copy of it--from
Jeekes and to hand it to Robin Greve would, thought Bruce, restore his
prestige as an amateur detective, at any rate in his own eyes. Moreover,
a chat with Jeekes over the whole affair seemed a Heaven-sent exit from
the _impasse_ of boredom into which he had drifted this wet Sunday
evening.
"How are you, Mr. Jeekes?" said Bruce briskly. ("Mr." Jeekes was the
form of address always accorded to the principal secretary in the
Hartley Parrish establishment and Bruce resumed it instinctively.) "I
was anxious to see you. I called in at the club this afternoon. Did you
get my message?"
The little secretary blinked at him through his _pince-nez_.
"There have been so many messages about this shocking affair that really
I forget ..."
He sighed heavily.
"Couldn't I come in and have a yarn now?"
Bruce spoke cajolingly. But Mr. Jeekes wrinkled his brow fussily.
There was so much to do; he had had a long day; if Wright would excuse
him ...
"As a matter of fact," explained Bruce with an eye on his man, "I wanted
to see you particularly about a letter ..."
"Some other time ... to-morrow ..."
"Written on dark-blue paper ... you know, one of those letters H.P. made
all the fuss about."
Mr. Jeekes took his _pince-nez_ from his nose, gave the glasses a hasty
rub with his pocket-handkerchief, and replaced them. He slanted a long
narrow look at the young man.
Then, "What letter do you mean?" he asked composedly.
"A letter which lay on H.P.'s desk in the library at Harkings when they
found the body ..."
"There _was_ a letter there then ...?"
"Haven't _you_ got it?"
Jeekes shook his head.
"Come inside for a minute and tell me about this," he said.
He led Bruce into the vast smoking-room of the club. They took seats in
a distant corner near the blazing fire. The room was practically
deserted.
Now, Mr. Jeekes's excessive carefulness about money had been a
long-standing joke amongst his assistants when Bruce Wright had belonged
to Hartley Parrish's secretarial staff. Thrift had become with him more
than a habit. It was a positive obsession. It revealed itself in such
petty meannesses as a perpetual cadging for matches or small change and
a careful abstention from any offer of hospitality. Never in the whole
course of his service had Bruce Wright heard of Mr. Jeekes taking
anybody out to lunch or extending any of the usual hospitalities of
life. He was not a little surprised, therefore, to hear Jeekes ask him
what he would take.
Bruce said he would take some coffee.
"Have a liqueur? Have a cigar?" said Jeekes, turning to Bruce from the
somnolent waiter who had answered the bell.
There was a strange eagerness, a sort of over-done cordiality, in the
invitation which contrasted so strongly with the secretary's habits that
Robin felt dimly suspicious. He suddenly formed the idea that Mr. Jeekes
wanted to pump him. He refused the liqueur, but accepted a cigar. Jeekes
waited until they had been served and the waiter had withdrawn silently
into the dim vastness of the great room before he spoke.
"Now, then, young Wright," he said, "what's this about a letter? Tell me
from the beginning ..."
Bruce told him of the letter from Elias van der Spyck & Co. which Robin
had seen upon the desk in the library at Harkings, of his (Bruce's)
journey down to Harkings that afternoon and of his failure to find the
letter.
"But why do you assume that I've got it?"
There was an air of forced joviality about Mr. Jeekes as he put the
question which did not in the least, as he undoubtedly intended it
should, disguise his eagerness. On the contrary, it lent his rather
undistinguished features an expression of cunning which can only be
described as knavish. Bruce Wright, who, as will already have been seen,
was a young man with all his wits about him, did not fail to remark it.
The result was that he hastily revised an intention half-formed in his
mind of taking Jeekes a little way into his confidence regarding Robin
Greve's doubts and suspicions about Hartley Parrish's death.
But he answered the secretary's question readily enough.
"Because Miss Trevert told me you went to the library immediately you
arrived at Harkings last night. I consequently assumed that you must
have taken away the letter seen by Robin Greve ..."
Mr. Jeekes drew in his breath with a sucking sound. It was a little
trick of his when about to speak.
"So you saw Miss Trevert at Harkings, eh?"
Bruce laughed.
"I did," he said. "We had quite a dramatic meeting, too--it was like a
scene from a film!"
And, with a little good-humoured exaggeration, he gave Mr. Jeekes a
description of his encounter with Mary. And lest it should seem that
young Wright was allowing Mr. Jeekes to pump him, it should be stated
that Bruce was well aware of one of the secretary's most notable
characteristics, a common failing, be it remarked, of the small-minded,
and that was an overpowering suspicion of anything resembling a leading
question. In order, therefore, to gain his confidence, he willingly
satisfied the other's curiosity regarding his visit to Harkings hoping
thereby to extract some information as to the whereabouts of the letter
on the slatey-blue paper.
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